Database / Artworks
Artworks
Storm Coming
Winslow Homer, American
Black chalk on off-white laid paper · 1884
Cooper Hewitt, Smithsonian Design Museum
Design for Stage Curtain: Temple of Fame
Felice Giani, Italian
theater, drawing — pen and brown ink, brush and brown wash, black chalk on off-white laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Project for Ceiling Design Depicting Aurora
Felice Giani, Italian
Pen and brown ink, brush and watercolor, black chalk on off-white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Lamentation over Christ
Francesco Saverio Mergolo, Italian
figures, drawing — pen and brown ink, brush and wash, black chalk on off-white laid paper, laid down · 1800
Cooper Hewitt, Smithsonian Design Museum
Candlestick
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash, black chalk on off-white laid paper, lined · 1780
Cooper Hewitt, Smithsonian Design Museum
Vision of Sainted Benedictine Monk
Francesco Saverio Mergolo, Italian
Brush and brown ink with gray wash; verso: pen and brown ink with black chalk on off-white laid paper · 1776
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Temple of Love
Giuseppe Barberi, Italian
theater, drawing — pen and brown ink, brush and brown wash over black chalk on off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Urn
Giuseppe Barberi, Italian
architecture, drawing — graphite, black chalk on off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Catafalque for Charles Emanuel III of Sardinia
Carlo Marchionni, Italian
Pen and brown ink, brush and wash, black chalk on off-white laid paper, mounted · 1773
Cooper Hewitt, Smithsonian Design Museum
Design for a Pair of Trophies
Jean-Charles Delafosse, French
Pen and black ink, brush and wash, black chalk on off-white laid paper. (bordered in brush and black, blue watercolor on three sides) · 1770
Cooper Hewitt, Smithsonian Design Museum
View of a Village in Mountainous Country
Carlo Marchionni, Italian
Pen and black, gray ink, black chalk on off-white laid paper, laid down · 1770
Cooper Hewitt, Smithsonian Design Museum
Chryses Imploring the Help of Apollo, from Iliad, Book I
Johan Tobias Sergel
Black chalk on off-white laid paper, tipped onto wove paper · 1765
Art Institute of Chicago
Study for an Oval Ceiling Design, Apollo, Strength, and Love
Fedele Fischetti, Italian
interiors, drawing — pen and brush and black ink, gray wash, black chalk on off-white laid paper · 1760
Cooper Hewitt, Smithsonian Design Museum
Decorative urn
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash, black chalk on off-white laid paper, lined · 1746
Cooper Hewitt, Smithsonian Design Museum
Design for Ceiling Decoration
Giuseppe Barberi, Italian
interiors, drawing — pen and brown ink, brush and brown wash, black chalk on off-white laid paper, lined · 1746
Cooper Hewitt, Smithsonian Design Museum
Centerpiece
Giuseppe Barberi, Italian
metalwork, drawing — black chalk on off-white laid paper · 1746
Cooper Hewitt, Smithsonian Design Museum
The Annunciation
Giovanni Battista Tiepolo, Italian
Pen and brown ink, brush and brown wash over black chalk on off-white laid paper · 1734
Cooper Hewitt, Smithsonian Design Museum
Design for Reliquary
Leonardo Scaglia, French, active Italy
Pen and brush and brown ink, black chalk on off-white laid paper · 1620
Cooper Hewitt, Smithsonian Design Museum
Design for Reliquary
Leonardo Scaglia, French, active Italy
Pen and brush and brown ink, black chalk on off-white laid paper · 1620
Cooper Hewitt, Smithsonian Design Museum
Design for a Fountain with the Labors of Hercules
Vincenzo di Raffaello de' Rossi, Italian
Black chalk on off-white laid paper · 1562
Cooper Hewitt, Smithsonian Design Museum
Design for a Boat-Shaped Vessel, possibly intended as a Festival Float
Giulio Romano, Italian
Pen and brown ink, brush and brown wash, black chalk on off-white laid paper · 1533
Cooper Hewitt, Smithsonian Design Museum
Stage Design of a Church
Giuseppe Barberi, Italian
theater, drawing — pen and brown ink, brush and brown wash, black chalk on off-white laid paper
Cooper Hewitt, Smithsonian Design Museum
Design for the Base of the Monument to Andrea Doria
Baccio Bandinelli, Italian
Pen and brown ink, black chalk on off-white laid paper
Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy: A Circular Temple on a Truncated Pyramid
Louis-Joseph Le Lorrain, French
Brush and gray and brown wash, over black chalk on off-white laid paper with additions at top and bottom, lined with cardboard and border of blue laid paper
Cooper Hewitt, Smithsonian Design Museum