Database / Artworks
Artworks

Child's Head (Recto) Nude Male Figure (Verso)
Antonio Allegri Da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago

Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago

Child's Head (Recto) Nude Male Figure (Verso)
Antonio da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

Saint Catherine of Siena on a Cloud
Luigi Garzi
black chalk heightened with white chalk on blue laid paper · 1696
National Gallery of Art

Lot and His Daughters
Nicolas Vleughels
Black chalk heightened with white; framing lines in brown ink · 1680
The Metropolitan Museum of Art

Apollo and His Horses
François Verdier
Black chalk heightened with white chalk, on light brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago

The Virgin Immaculate
Martino Altomonte
black chalk heightened with white on blue paper · 1657
National Gallery of Art

Group of Four Women and Child
Domenichino
Black chalk heightened with white chalk on blue laid paper, laid down on tan wove paper · 1650
Art Institute of Chicago

A Cavalier Lying on the Ground
Jan Both
black chalk heightened with white on blue-washed laid paper · 1640
National Gallery of Art

Fortitude (?)
Giovanni Battista Beinaschi
Black chalk heightened with white on gray paper · 1640
Cooper Hewitt, Smithsonian Design Museum

Creusa Carrying the Gods of Troy
Simon Vouet
black chalk heightened with white chalk on blue laid paper, with later framing line in brown ink · 1630
National Gallery of Art
Temperance
Domenichino
black chalk heightened with white chalk, squared with black chalk · 1628
Cleveland Museum of Art
Temperance
Domenichino
black chalk heightened with white chalk, squared with black chalk · 1628
Cleveland Museum of Art

Young Woman in Profile
Sir Peter Paul Rubens
black chalk heightened with white on laid paper · 1613
National Gallery of Art

Bust of Pseudo-Seneca
Peter Paul Rubens, Flemish
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art

Sculpted Female Head
Ciro Ferri
Black chalk heightened with white chalk, on blue laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago

Bust of Pseudo-Seneca
Peter Paul Rubens
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art

A Kneeling King of France Holding the Scepters of Royal Authority
Jean Boucher
Black chalk heightened with white on brown washed paper · 1590
The Metropolitan Museum of Art

Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago

Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago
![Two Nude Youths [recto]](https://api.nga.gov/iiif/3024b7ab-a1a1-4c3d-a7ca-24a3402a57c9/full/!800,800/0/default.jpg)
Two Nude Youths [recto]
Federico Barocci
black chalk heightened with white, contours (of standing figure) incised, on blue paper · 1565
National Gallery of Art
![Half-Length of Mary Magdalene [verso]](https://api.nga.gov/iiif/2c1b6f8a-ffdc-45ea-9ea6-cff7032aef80/full/!800,800/0/default.jpg)
Half-Length of Mary Magdalene [verso]
Federico Barocci
black chalk heightened with white on blue paper · 1565
National Gallery of Art

Man Standing in Prayer (recto); Drapery Study (verso)
Domenico Fiasella
Black chalk heightened with white chalk, on brown laid paper, partially laid down on brown laid paper (recto and verso) · 1550
Art Institute of Chicago