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Artworks

77 records · Black chalk heightened with white
Child's Head (Recto) Nude Male Figure (Verso)
Child's Head (Recto) Nude Male Figure (Verso)
Antonio Allegri Da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Female Head
Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago
Female Head
Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago
Child's Head (Recto) Nude Male Figure (Verso)
Child's Head (Recto) Nude Male Figure (Verso)
Antonio da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Saint Catherine of Siena on a Cloud
Saint Catherine of Siena on a Cloud
Luigi Garzi
black chalk heightened with white chalk on blue laid paper · 1696
National Gallery of Art
Lot and His Daughters
Lot and His Daughters
Nicolas Vleughels
Black chalk heightened with white; framing lines in brown ink · 1680
The Metropolitan Museum of Art
Apollo and His Horses
Apollo and His Horses
François Verdier
Black chalk heightened with white chalk, on light brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago
The Virgin Immaculate
The Virgin Immaculate
Martino Altomonte
black chalk heightened with white on blue paper · 1657
National Gallery of Art
Group of Four Women and Child
Group of Four Women and Child
Domenichino
Black chalk heightened with white chalk on blue laid paper, laid down on tan wove paper · 1650
Art Institute of Chicago
A Cavalier Lying on the Ground
A Cavalier Lying on the Ground
Jan Both
black chalk heightened with white on blue-washed laid paper · 1640
National Gallery of Art
Fortitude (?)
Fortitude (?)
Giovanni Battista Beinaschi
Black chalk heightened with white on gray paper · 1640
Cooper Hewitt, Smithsonian Design Museum
Creusa Carrying the Gods of Troy
Creusa Carrying the Gods of Troy
Simon Vouet
black chalk heightened with white chalk on blue laid paper, with later framing line in brown ink · 1630
National Gallery of Art
Temperance
Temperance
Domenichino
black chalk heightened with white chalk, squared with black chalk · 1628
Cleveland Museum of Art
Temperance
Temperance
Domenichino
black chalk heightened with white chalk, squared with black chalk · 1628
Cleveland Museum of Art
Young Woman in Profile
Young Woman in Profile
Sir Peter Paul Rubens
black chalk heightened with white on laid paper · 1613
National Gallery of Art
Bust of Pseudo-Seneca
Bust of Pseudo-Seneca
Peter Paul Rubens, Flemish
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art
Sculpted Female Head
Sculpted Female Head
Ciro Ferri
Black chalk heightened with white chalk, on blue laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago
Bust of Pseudo-Seneca
Bust of Pseudo-Seneca
Peter Paul Rubens
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art
A Kneeling King of France Holding the Scepters of Royal Authority
A Kneeling King of France Holding the Scepters of Royal Authority
Jean Boucher
Black chalk heightened with white on brown washed paper · 1590
The Metropolitan Museum of Art
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago
Two Nude Youths [recto]
Two Nude Youths [recto]
Federico Barocci
black chalk heightened with white, contours (of standing figure) incised, on blue paper · 1565
National Gallery of Art
Half-Length of Mary Magdalene [verso]
Half-Length of Mary Magdalene [verso]
Federico Barocci
black chalk heightened with white on blue paper · 1565
National Gallery of Art
Man Standing in Prayer (recto); Drapery Study (verso)
Man Standing in Prayer (recto); Drapery Study (verso)
Domenico Fiasella
Black chalk heightened with white chalk, on brown laid paper, partially laid down on brown laid paper (recto and verso) · 1550
Art Institute of Chicago
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