Database / Artworks

Artworks

82 records · Beeswax
Untitled
Untitled
Brice Marden
Pencil and beeswax on paper · 1969
Museum of Modern Art
Lingotto
Lingotto
Mario Merz
Brush-wood, beeswax and steel · 1968
Tate
Embryo II
Embryo II
Lynda Benglis
Purified and pigmented beeswax, damar resin, and gesso on masonite · 1967
Museum of Modern Art
Untitled IV
Untitled IV
Joseph Beuys
Glass, wood, and metal display case containing (left to right): Machine Aggregate (Maschinenaggregat), 1964: poppies, pine needles, machine parts, beeswax plate, shards of mirror, and fat in white tin can; Substances (Substanzen), 1977: eleven samples from Unschlitt/Tallow, 1977, and plastic box with fat; Plastic/Medicinal (Zinc Salve) Containing Blood Sausage (Plastik/Medizinisch [Zinksalbe] behandelte Blutwurst), 1964: blood sausage and zinc salve; Aus dem Maschineneraum (From the Machine Room), 1977-78: multiple of printed paper and can, and glass jar containing fat; Gelatin Wedge/Programmed (Gelatinekeil/Programmiert), 1969: gelatin, chocolate, and paper; Untitled (Beuys Brew) (Ohne Titel [Beuysbräu]), 1970: bottle carrier, eighteen "Dötze bottles," gelatin, glass, and oil paint; Untitled (Ohne Titel), 1973: grass plant (grass flower) and fat; Untitled (Proof for special edition of the magazine Interfunktionen, 61) (Ohne Titel [Klischee für Vorzugsausgabe der Zeitschrift Interfunktionen, Heft 61]), 1961: metal plate and oil paint · 1964
Museum of Modern Art
Dancer Holding Her Right Foot in Her Right Hand
Dancer Holding Her Right Foot in Her Right Hand
Edgar Degas
pigmented beeswax, plastiline, metal armature, on wooden base · 1900
National Gallery of Art
Dancer Holding Her Right Foot in Her Right Hand
Dancer Holding Her Right Foot in Her Right Hand
Edgar Degas
pigmented beeswax, metal armature, wood?, cork, on wooden base · 1900
National Gallery of Art
Woman Stretching
Woman Stretching
Edgar Degas
pigmented beeswax, metal armature, on wooden base · 1896
National Gallery of Art
Pregnant Woman
Pregnant Woman
Edgar Degas
pigmented beeswax, plastiline, metal armature, cork, on wooden base · 1896
National Gallery of Art
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper · 1893
Art Institute of Chicago
Te faruru (Here We Make Love), from the Noa Noa Suite
Te faruru (Here We Make Love), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream Japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]) · 1893
Art Institute of Chicago
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper · 1893
Art Institute of Chicago
Te atua (The God) from the Noa Noa Suite
Te atua (The God) from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper · 1893
Art Institute of Chicago
Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite
Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory Japanese paper, laid down on cream wove card · 1893
Art Institute of Chicago
L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893
Art Institute of Chicago
Noa Noa (Fragrant), from the Noa Noa Suite
Noa Noa (Fragrant), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card · 1893
Art Institute of Chicago
Woman Washing Her Left Leg
Woman Washing Her Left Leg
Edgar Degas
beeswax, metal armature, ceramic, on wooden base · 1890
National Gallery of Art
Dancer Putting on Her Stocking
Dancer Putting on Her Stocking
Edgar Degas
pigmented beeswax, metal armature, cork, on wooden base · 1890
National Gallery of Art
Woman Washing Her Left Leg
Woman Washing Her Left Leg
Edgar Degas
pigmented beeswax, metal armature, on wooden base · 1890
National Gallery of Art
Dancer Looking at the Sole of Her Right Foot
Dancer Looking at the Sole of Her Right Foot
Edgar Degas
pigmented beeswax, metal armature, cork, on wooden base · 1890
National Gallery of Art
Jockey with Cap
Jockey with Cap
Edgar Degas
pigmented beeswax, metal armature, cloth, paper · 1890
National Gallery of Art
Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground
Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground
Edgar Degas
pigmented beeswax, metal armature, wool, cork, on wooden base · 1890
National Gallery of Art
Woman Seated, Wiping Her Left Hip
Woman Seated, Wiping Her Left Hip
Edgar Degas
pigmented beeswax, shredded fabric, metal lid, wood, rope, cork, on wooden base · 1890
National Gallery of Art
Woman Seated in an Armchair, Wiping Her Left Armpit
Woman Seated in an Armchair, Wiping Her Left Armpit
Edgar Degas
pigmented beeswax, plastiline, metal armature, cork, wood, on wooden base · 1890
National Gallery of Art
Woman Seated, Wiping Her Left Side
Woman Seated, Wiping Her Left Side
Edgar Degas
pigmented beeswax, plastiline, metal armature, wood, cork, on wooden base · 1890
National Gallery of Art
Go to pageof 4