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Artworks

383 records · Aquatint and etching
Master Arthur (plate facing page 92) from Cirque de l'étoile filante (The Shooting Star Circus)
Master Arthur (plate facing page 92) from Cirque de l'étoile filante (The Shooting Star Circus)
Georges Rouault
Aquatint, etching, and drypoint from an illustrated book with seventy-four wood engravings and seventeen aquatint and etchings (eleven with drypoint) · 1934
Museum of Modern Art
Le Petit Nain (The Little Dwarf) (plate facing page 20) from Cirque de l'étoile filante (The Shooting Star Circus)
Le Petit Nain (The Little Dwarf) (plate facing page 20) from Cirque de l'étoile filante (The Shooting Star Circus)
Georges Rouault
Aquatint, etching, and drypoint from an illustrated book with seventy-four wood engravings and seventeen aquatint and etchings (eleven with drypoint) · 1934
Museum of Modern Art
Welding
Welding
Allan Freelon
Aquatint and etching in black on ivory wove paper · 1930
Art Institute of Chicago
Dance of Centaurs
Dance of Centaurs
George Overbury ("Pop") Hart
Aquatint and etching · 1926
Museum of Modern Art
Odalisque on a Terrace (Odalisque sur la terrasse), After Matisse
Odalisque on a Terrace (Odalisque sur la terrasse), After Matisse
Jacques Villon
Aquatint and etching · 1922
Museum of Modern Art
Trial proof for And Of The Lost Life of the Prostitue Who Gave Herself For A Bone To Gnaw, rejected plate from Miserere
Trial proof for And Of The Lost Life of the Prostitue Who Gave Herself For A Bone To Gnaw, rejected plate from Miserere
Georges Rouault
Aquatint and etching with roulette over photogravure · 1922
Museum of Modern Art
Fountain Square: Night (Cincinnati)
Fountain Square: Night (Cincinnati)
Edward Timothy Hurley
aquatint and etching on paper · 1921
Smithsonian American Art Museum
Soldier Working (Soldat astiquant)
Soldier Working (Soldat astiquant)
Jacques Villon
Aquatint and etching · 1907
Museum of Modern Art
Merry-go-round (Manège de cochons)
Merry-go-round (Manège de cochons)
Jacques Villon
Aquatint and etching · 1907
Museum of Modern Art
The Haulers (Les Petits haleurs)
The Haulers (Les Petits haleurs)
Jacques Villon
Aquatint and etching · 1907
Museum of Modern Art
La Parisienne (Yvonne Duchamp-Villon)
La Parisienne (Yvonne Duchamp-Villon)
Jacques Villon
Aquatint and etching · 1904
Museum of Modern Art
The Game of Solitaire (Les Cartes)
The Game of Solitaire (Les Cartes)
Jacques Villon
Aquatint and etching · 1903
Museum of Modern Art
Makeup (Le Maquillage)
Makeup (Le Maquillage)
Jacques Villon
Aquatint and etching · 1900
Museum of Modern Art
Cottonwoods
Cottonwoods
Frederick Stanley Haines
Color aquatint and etching on ivory wove paper · 1899
Art Institute of Chicago
Grover Cleveland
Grover Cleveland
Anders Leonard Zorn, 18 Feb 1860 - 1920
Aquatint and etching on paper · 1899
National Portrait Gallery
Woman and Mannequin (La Femme au Mannequin or La Femme et le pantin)
Woman and Mannequin (La Femme au Mannequin or La Femme et le pantin)
Jacques Villon
Aquatint and etching with watercolor additions · 1899
Museum of Modern Art
Spanish Dancer (Danseuse espagnole)
Spanish Dancer (Danseuse espagnole)
Jacques Villon
Aquatint and etching · 1899
Museum of Modern Art
The Negro (Le Nègre en bonne fortune)
The Negro (Le Nègre en bonne fortune)
Jacques Villon
Aquatint and etching · 1899
Museum of Modern Art
Marquis De Lafayette
Marquis De Lafayette
Edward Gosselin
Aquatint and etching on paper · 1895
National Portrait Gallery
The Philosopher (Der Philosoph) (plate, preceding p. 97) from the periodical Pan, vol. 1, no. 2 (Jul-Aug 1895)
The Philosopher (Der Philosoph) (plate, preceding p. 97) from the periodical Pan, vol. 1, no. 2 (Jul-Aug 1895)
Max Klinger
Aquatint and etching · 1895
Museum of Modern Art
Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale
Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale
Charles Maurin
Aquatint and etching in brown on ivory wove paper · 1893
Art Institute of Chicago
Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale
Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale
Charles Maurin
Aquatint and etching in brown on ivory wove paper · 1893
Art Institute of Chicago
The Solferino Bridge: Nocturnal Effect
The Solferino Bridge: Nocturnal Effect
Eugène Delâtre
color aquatint and etching · 1893
Cleveland Museum of Art
Back into Nothingness, plate fifteen from A Life
Back into Nothingness, plate fifteen from A Life
Max Klinger
Aquatint and etching on ivory China paper laid down on cream laid paper · 1884
Art Institute of Chicago
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