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Artworks

406 records · Aquatint and drypoint
Fisherman with a Hoop-net (La peche a la truble)
Fisherman with a Hoop-net (La peche a la truble)
Alphonse Legros
etching, aquatint and drypoint? · 1837
National Gallery of Art
Death of the Vagabond (La mort du vagabond)
Death of the Vagabond (La mort du vagabond)
Alphonse Legros
etching, aquatint and drypoint · 1837
National Gallery of Art
Death of the Vagabond (La mort du vagabond)
Death of the Vagabond (La mort du vagabond)
Alphonse Legros
etching, aquatint and drypoint · 1837
National Gallery of Art
A Blacksmith (Un Forgeron)
A Blacksmith (Un Forgeron)
Eugene Delacroix
aquatint and drypoint on laid paper · 1833
National Gallery of Art
Blacksmith
Blacksmith
Eugene Delacroix
Aquatint and drypoint in black on ivory wove paper · 1833
Art Institute of Chicago
Disparate desordenado (Disorderly Folly)
Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint · 1816
National Gallery of Art
El caballo raptor (The Horse-Abductor)
El caballo raptor (The Horse-Abductor)
Francisco Goya
etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate allegre (Merry Folly)
Disparate allegre (Merry Folly)
Francisco Goya
etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate desordenado (Disorderly Folly)
Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate ridiculo (Ridiculous Folly)
Disparate ridiculo (Ridiculous Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Echan perros al toro (They Loose Dogs on the Bull)
Echan perros al toro (They Loose Dogs on the Bull)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)
Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Cogida de un moro estando en la plaza  (A Moor Caught by the Bull in the Ring)
Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)
El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way  in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Dios se lo pague a vsted (May God Repay You)
Dios se lo pague a vsted (May God Repay You)
Francisco Goya
etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867] · 1804
National Gallery of Art
Ya van desplumados (There They Go Plucked)
Ya van desplumados (There They Go Plucked)
Francisco Goya
etching, burnished aquatint and drypoint on laid paper [proof before letters] · 1799
National Gallery of Art
Si quebro el cantaro (Yes He Broke the Pot)
Si quebro el cantaro (Yes He Broke the Pot)
Francisco Goya
etching, aquatint and drypoint on laid paper · 1799
National Gallery of Art
Ni asi la distingue  (Even Thus He Cannot Make Her Out)
Ni asi la distingue (Even Thus He Cannot Make Her Out)
Francisco Goya
etching, aquatint and drypoint on laid paper [proof before letters] · 1797
National Gallery of Art
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