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413 records · Aquatint and drypoint
Skin Graft (Transplantation) from The War (Der Krieg)
Skin Graft (Transplantation) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
House Destroyed by Aerial Bombs (Tournai) [Durch Fliegerbomben zerstörtes Haus (Tournai)] from The War (Der Krieg)
House Destroyed by Aerial Bombs (Tournai) [Durch Fliegerbomben zerstörtes Haus (Tournai)] from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Trial proof for Jean-François Never Sings Hallelujah..., plate XXV from Miserere
Trial proof for Jean-François Never Sings Hallelujah..., plate XXV from Miserere
Georges Rouault
Aquatint and drypoint over photogravure, with pen and ink additions · 1923
Museum of Modern Art
Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere
Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1923
Museum of Modern Art
"He Was Oppressed, and He Was Afflicted, Yet He Opened Not His Mouth" («Il a été maltraité et opprimé et il n'a pas ouvert la bouche»), plate XXI from Miserere
"He Was Oppressed, and He Was Afflicted, Yet He Opened Not His Mouth" («Il a été maltraité et opprimé et il n'a pas ouvert la bouche»), plate XXI from Miserere
Georges Rouault
Aquatint and drypoint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
"That Ye Love One Another" («Aimez-vous les uns les autres»), plate XXXI from Miserere
"That Ye Love One Another" («Aimez-vous les uns les autres»), plate XXXI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
Portents... (Augures...), plate XLI from Miserere
Portents... (Augures...), plate XLI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
In the Old Suburb of Long Suffering (Aux vieux faubourg de longues peines), plate X from Miserere
In the Old Suburb of Long Suffering (Aux vieux faubourg de longues peines), plate X from Miserere
Georges Rouault
Aquatint and drypoint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
Emancipated Woman, Who Has Lost Her Way (Femme affranchie à quatorze heures chante midi), plate XVII from Miserere
Emancipated Woman, Who Has Lost Her Way (Femme affranchie à quatorze heures chante midi), plate XVII from Miserere
Georges Rouault
Aquatint and drypoint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
"He That Believeth in Me, Though He Were Dead, Yet Shall He Live" («Celui qui croit en moi fût-il mort vivra»), plate XXVIII from Miserere
"He That Believeth in Me, Though He Were Dead, Yet Shall He Live" («Celui qui croit en moi fût-il mort vivra»), plate XXVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
The Man with a Basket, supplemental plate from Mein Leben
The Man with a Basket, supplemental plate from Mein Leben
Marc Chagall
Aquatint and drypoint on cream Japanese paper · 1922
Art Institute of Chicago
Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere
Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Jesus Mocked..., plate II from Miserere
Trial proof for Jesus Mocked..., plate II from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere
Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1922
Museum of Modern Art
Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere
Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere
Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere
Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere
Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Christ Laying On His Hands, rejected plate from Miserere
Trial proof for Christ Laying On His Hands, rejected plate from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Lonely Sojourner in this Life of Pitfalls and Malice (Solitaire en cette vie d'embûches et de malices), plate V from Miserere
Lonely Sojourner in this Life of Pitfalls and Malice (Solitaire en cette vie d'embûches et de malices), plate V from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
His Lawyer, in Hollow Phrases, Proclaims His Complete Unawareness... (Son avocat en phrases creuses clame sa totale inconscience...), plate XIX from Miserere
His Lawyer, in Hollow Phrases, Proclaims His Complete Unawareness... (Son avocat en phrases creuses clame sa totale inconscience...), plate XIX from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
Far from the Smile of Rheims (Loin du sourire de Reims), plate LI from Miserere
Far from the Smile of Rheims (Loin du sourire de Reims), plate LI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
"And with His Stripes We Are Healed" («C'est par ses meurtrissures que nous sommes guéris»), plate LVIII from Miserere
"And with His Stripes We Are Healed" («C'est par ses meurtrissures que nous sommes guéris»), plate LVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière
Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière
Jules Pascin
Etching and drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint · 1918
Museum of Modern Art
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