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Artworks
Plate (folio 23) from 23 Gravures
Jean Hélion
Engraving from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1934
Museum of Modern Art
Plate (folio 31) from 23 Gravures
Alberto Magnelli
Etching from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1934
Museum of Modern Art
Plate (folio 41) from 23 Gravures
Kurt Seligmann
Etching from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1933
Museum of Modern Art
On the Beach, Three Bathers (plate, folio 39) from 23 Gravures
Pablo Picasso
Etching from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1932
Museum of Modern Art
Plate (folio 13) from 23 Gravures
Max Ernst
Etching, aquatint, and drypoint from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1930
Museum of Modern Art
Open Action
Kerr Eby
Etching with aquatint and drypoint in black on buff laid paper · 1928
Art Institute of Chicago
Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1927
Museum of Modern Art
Trial proof for Out Of The Depths..., plate XLVII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1927
Museum of Modern Art
Trial proof for War, Which All Mothers Hate, plate XLII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1927
Museum of Modern Art
Trial proof for Lord, It Is Thou, I Know Thee!, plate XXXII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1927
Museum of Modern Art
Trial proof for Beneath a Forgotten Crucifix, plate XX from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1926
Museum of Modern Art
Trial proof for In All Things, Tears..., plate XXVII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1926
Museum of Modern Art
Trial proof for The Law Is Hard, But It Is The Law, plate LII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1926
Museum of Modern Art
Trial proof for "With Tooth and Nail," plate L from Miserere
Georges Rouault
Aquatint and drypoint over photogravure, with pen and ink additions · 1926
Museum of Modern Art
Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere
Georges Rouault
Aquatint and drypoint over photogravure, with pen and ink additions · 1926
Museum of Modern Art
Are We Not All Convicts? (Ne sommes-nous pas forçats?), plate VI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
The Chinese Invented Gunpowder, They Say, and Made Us a Gift of It (Chinois inventa, dit-on, la poudre à canon, nous en fit don), plate XXXVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
"The Righteous, like Sandalwood, Perfume the Axe That Falls on Them" («Le Juste comme le bois de santal parfume la hache qui le frappe»), plate XLVI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
In So Many Different Ways, The Noble Vocation of Sowing Hostile Land (En tant d'ordres divers le beau métier d'ensemencer une terre hostile), plate XXII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
Memory of La Ciotat (Souvenir de La Ciotat) (plate, folio 30) from Hommage à Roger Lacourière
Louis Marcoussis
Etching from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint · 1926
Museum of Modern Art
Fetching Rations near Pilkem, from War
Otto Dix
Etching, aquatint and drypoint on cream laid paper · 1924
Art Institute of Chicago
Evening on the Wijtschaete Plain (November 1917), from War
Otto Dix
Aquatint and drypoint on cream laid paper · 1924
Art Institute of Chicago
Dying Soldier, from War
Otto Dix
Etching, aquatint and drypoint on cream laid paper · 1924
Art Institute of Chicago
Night-time Encounter with a Madman, from War
Otto Dix
Etching, aquatint and drypoint on cream laid paper · 1924
Art Institute of Chicago