Database / Artworks
Artworks
Autumn - Sowing Grain
John Hassell
aquatint · 1812
Pomona Britannica: No. 64 - Scarlet Flesh Romana Melon
George Brookshaw
aquatint · 1812
Cleveland Museum of Art
The Temple of Flora; or Garden of Nature: The Queen Flower
Philip Reinagle
Etching and aquatint hand-colored with watercolor · 1812
Cleveland Museum of Art
Calm, plate 44 from Liber Studiorum
Joseph Mallord William Turner
Etching and aquatint in brown on ivory wove paper · 1812
Art Institute of Chicago
John Bull Making a New Batch of Ships to Send to the Lakes
William Charles
etching, aquatint and watercolor on paper · 1812
Smithsonian American Art Museum
The Bridge and Goats, plate 43 from Liber Studiorum
Joseph Mallord William Turner
Etching and aquatint in brown on ivory wove paper · 1812
Art Institute of Chicago
Isaac Hull
William Strickland
Aquatint and etching on paper · 1812
National Portrait Gallery
Sleeping Greyhound
Johann Christian Reinhart
etching and aquatint printed in brown on laid paper · 1811
National Gallery of Art
Junction of Severn and Wye
Joseph Mallord William Turner
etching, mezzotint, and aquatint · 1811
National Gallery of Art
The Temple of Minerva Medica, plate 23 from Liber Studiorum
Joseph Mallord William Turner
Etching and aquatint on off-white paper · 1811
Art Institute of Chicago
Junction of the Severn and Wye, from Liber Studiorum, no. 28
Joseph Mallord William Turner
Etching, mezzotint and aquatint in brown on ivory wove paper · 1811
Art Institute of Chicago
Junction of the Severn and Wye, plate 28 from Liber Studiorum
Joseph Mallord William Turner
Etching and aquatint with roulette on ivory wove paper · 1811
Art Institute of Chicago
Inverary Pier Loch Fyne, Morning
Joseph Mallord William Turner
Etching and aquatint in brown on ivory laid paper · 1811
Art Institute of Chicago
South West View of St. Paul's Cathedral and Blackfriars Bridge
William James Bennett
aquatint · 1810
Fuerte cosa es! (That's Tough!)
Francisco Goya
etching, aquatint, and drypoint with burnishing (proof) on laid paper · 1810
National Gallery of Art
No Hay Quien Los Socorra (Nobody Can Help Them)
Francisco Goya
etching and aquatint with burin and burnishing on wove paper · 1810
National Gallery of Art
Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58] · 1810
National Gallery of Art
Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher in umber on laid paper [trial proof printed posthumously by Lefort and/or in the Calcografia c.1870) · 1810
National Gallery of Art
Nada (Nothing)
Francisco Goya
etching, aquatint and lavis with burnishing (proof) on laid paper · 1810
National Gallery of Art
Le Carnaval
Philibert Louis Debucourt
etching and aquatint on wove paper · 1810
National Gallery of Art
L'Innocente du Jour
Philibert Louis Debucourt
etching and aquatint on wove paper · 1810
National Gallery of Art
Allegory of Art: A Youth Inspired by the Spirit of Art
Carl Russ
Etching and aquatint in black on tan wove paper · 1810
Art Institute of Chicago
Diogenes in His Tub with Alexande and His Generals
Carl Russ
Etching and aquatint in black on ivory laid paper · 1810
Art Institute of Chicago
Paris, Le Pont-au-Change
John Gendall
Aquatint etching on paper · 1810
Art Institute of Chicago