Database / Artworks
Artworks
Hartland Pier, North Devon
William Daniell
Aquatint on paper · 1814
Tate
Clovelly, on the Coast of North Devon
William Daniell
Aquatint on paper · 1814
Tate
Boscastle Pier on the Coast of Cornwall
William Daniell
Aquatint on paper · 1814
Tate
The Lands-end, Cornwall
William Daniell
Aquatint on paper · 1814
Tate
The Long-ships Light House, off the Lands End, Cornwall
William Daniell
Aquatint on paper · 1814
Tate
The Entrance to Portreath, Cornwall
William Daniell
Aquatint on paper · 1814
Tate
Edward Preble
Edme Quenedey
Aquatint and etching · 1814
National Portrait Gallery
James Lawrence
William Strickland
Aquatint and etching on paper · 1814
National Portrait Gallery
Oliver Hazard Perry
William Strickland
Aquatint on paper · 1814
National Portrait Gallery
The Reading Telegraph Coach
Robert Havell
Etching and aquatint, with hand coloring, on paper · 1813
Art Institute of Chicago
Royal Military College
William James Bennett
aquatint · 1813
Pursuit of the French Through Leipzig
John Augustus Atkinson
Hand-colored aquatint on paper · 1813
Art Institute of Chicago
Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side
Fuse*
Etching and aquatint on ivory wove paper · 1813
Art Institute of Chicago
Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side
Fuse
Etching and aquatint on ivory wove paper · 1813
Art Institute of Chicago
The Reading Telegraph Coach
Robert Havell
Etching and aquatint, with hand coloring, on paper · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 9
David Cox, the elder
Book with four color aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 12
David Cox, the elder
Book with four color aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 11
David Cox, the elder
Book with four color aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 10
David Cox, the elder
Book with four color aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 6
David Cox, the elder
Book with four aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 7
David Cox, the elder
Book with four aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 8
David Cox, the elder
Book with four aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 5
David Cox, the elder
Book with four aquatints and letterpress in black on cream wove paper, in box · 1813
Art Institute of Chicago
William Henry Harrison
William Strickland
Hand-colored aquatint and etching on paper · 1813
National Portrait Gallery