Database / Artworks
Artworks

Road Along a Round Tower, from Variae Antiquitates Romanae (Roman Ruins)
Claes Jansz. Visscher, II
Etching on ivory laid paper · 1618
Art Institute of Chicago

Sloop Laden with Hay, from Variae Antiquitates Romanae (Roman Ruins)
Claes Jansz. Visscher, II
Etching on ivory laid paper · 1618
Art Institute of Chicago

Title-page, from Variae Antiquitates Romanae (Roman Ruins)
Claes Jansz. Visscher, II
Etching on ivory laid paper · 1618
Art Institute of Chicago

Temple of Fortune, from Variae Antiquitates Romanae (Roman Ruins)
Claes Jansz. Visscher, II
Etching on ivory laid paper · 1618
Art Institute of Chicago

View Towards a Harbour, from Variae Antiquitates Romanae (Roman Ruins)
Claes Jansz. Visscher, II
Etching on ivory laid paper · 1618
Art Institute of Chicago
P
Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
A
Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 105: Diane Killing Chione (Chione ob linguae procacitatem a Diana transfigitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 107: The Wreck of Ceyx's Ship (Ceyx Clarium oraculum petens, tempstate in Aegeo mari obruitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
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Plate 85: The Immortalization of Hercules (A parente Hercules deitate honestatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art

Allegory of the Flourishing State of the United Provinces
Jan Saenredam
Engraving on ivory laid paper · 1602
Art Institute of Chicago

Gelderse statenoord op naam van Philips II, 1555-1598
Spain
striking (metalworking) on copper (metal) · 1577
Rijksmuseum

Grotesque with Deities. Plate 03 “Jupiter,” 2nd state
René Boyvin, French
grotesques, engraving — engraving on white laid paper. · 1540
Cooper Hewitt, Smithsonian Design Museum

Grotesque with Deities. Plate 01 “Saturne” 2nd state
René Boyvin, French
Black ink on white paper · 1540
Cooper Hewitt, Smithsonian Design Museum

Grotesque with Deities. Plate 04 “Juno,” 2nd state
René Boyvin, French
Black ink on white paper · 1540
Cooper Hewitt, Smithsonian Design Museum

Sammelband containing De Symmetria Partium (1532), De Varietate Figurarum (1534), Etliche underricht zu befestigung der Stett Schloss und Flecke (1527), and Underweysung der Messung (1538)
Albrecht Dürer
Book of letterpress text and woodcut illustations on cream laid paper, extra illustrated with a woodcut in black on ivory laid paper, tipped in after the front flyleaf; in full alum-tawed pigskin over beveled wooden boards, sewn on raised thongs, blind tooled ‘all-over’ with small tools, with two brass hook-clasp fastenings and hand-sewn headbands · 1525
Art Institute of Chicago

Rounded Beaker Depicting Masked Figure Holding Decapitated Head
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Cup Depicting a Decapitated Head
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Open-Neck Cup Depicting Abstract Figures and Decapitated Heads
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Beaker Depicting a Costumed Performer Holding Decapitated Head
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Beaker Depicting a Decapitated Head Wearing an Intricate Headdress
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Beaker Depicting Decapitated Heads, Likely Trophy Heads
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Double Spout Vessel Depicting Costumed Figure with Decapitated Head
Nasca
Ceramic and pigment · -180
Art Institute of Chicago

Vessel Depicting a Winged Figure Holding a Decapitated Head
Nasca
Ceramic and pigment · -180
Art Institute of Chicago