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1,435 records matching “Tate
The Actors Segawa Kikunojo III as Karigane Obun, Nakayama Tomisaburo I as An no Oyasu, Iwai Kiyotaro II as Kaminari no Osha, Nakayama Tatezo I as Gokuin no Osen, and Ichikawa Monnosuke II as Hotei no Oichi (right to left), in "Gonin Onna," Scene One of the Play Waka Murasaki Edokko Soga, Performed at the Ichimura Theater in the Second Month, 1792
The Actors Segawa Kikunojo III as Karigane Obun, Nakayama Tomisaburo I as An no Oyasu, Iwai Kiyotaro II as Kaminari no Osha, Nakayama Tatezo I as Gokuin no Osen, and Ichikawa Monnosuke II as Hotei no Oichi (right to left), in "Gonin Onna," Scene One of the Play Waka Murasaki Edokko Soga, Performed at the Ichimura Theater in the Second Month, 1792
Katsukawa Shunshō
Color woodblock print; hosoban; pentaptych · 1787
Art Institute of Chicago
No. 4: Chinese boys playing a raffle game, from the series "Children Say 'This is Japan!' and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu)"
No. 4: Chinese boys playing a raffle game, from the series "Children Say 'This is Japan!' and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu)"
Torii Kiyonaga
Color woodblock print; chuban · 1786
Art Institute of Chicago
No. 2: Chinese boys copying paintings and writing Japanese, from the series "Children Say 'This is Japan!' and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu)"
No. 2: Chinese boys copying paintings and writing Japanese, from the series "Children Say 'This is Japan!' and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu)"
Torii Kiyonaga
Color woodblock print; chuban · 1786
Art Institute of Chicago
Potted Violets: Jiraiya (Tsubo sumire, Jiraiya), from the series "Contemporary Parodies of the Thirty-six Selected Flowers (Tosei mitate sanjurokkasen)"
Potted Violets: Jiraiya (Tsubo sumire, Jiraiya), from the series "Contemporary Parodies of the Thirty-six Selected Flowers (Tosei mitate sanjurokkasen)"
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1786
Art Institute of Chicago
Vice-admiraal P.A. de Suffren, penning geschonken door de Staten van Provence, wegens de bescherming van kaap de Goede Hoop, de inname van Trincomalee, de bevrijding van Goudelour en de verdediging van Kaap de Goede Hoop
Vice-admiraal P.A. de Suffren, penning geschonken door de Staten van Provence, wegens de bescherming van kaap de Goede Hoop, de inname van Trincomalee, de bevrijding van Goudelour en de verdediging van Kaap de Goede Hoop
Augustin Dupré
striking (metalworking) on bronze (metal) · 1784
Rijksmuseum
Onafhankelijkheid van de Verenigde Staten van Amerika en het sluiten van de Vrede van Parijs met Engeland 1783
Onafhankelijkheid van de Verenigde Staten van Amerika en het sluiten van de Vrede van Parijs met Engeland 1783
Jean Léonard
pressing on copper (metal), tin (metal) · 1783
Rijksmuseum
Utrechts wapengenootschap Pro Patria et Libertate
Utrechts wapengenootschap Pro Patria et Libertate
Hendrik de Meijer
striking (metalworking) on silver (metal) · 1783
Rijksmuseum
Vlag en wimpel van de dertien staten van Noord-Amerika
Vlag en wimpel van de dertien staten van Noord-Amerika
Berger (?)
etching on paper · 1783
Rijksmuseum
Libertas Americana: onafhankelijkheid van de Verenigde Staten van Amerika
Libertas Americana: onafhankelijkheid van de Verenigde Staten van Amerika
Augustin Dupré
striking (metalworking) on bronze (metal) · 1783
Rijksmuseum
Vlag en wimpel van de dertien staten van Noord-Amerika
Vlag en wimpel van de dertien staten van Noord-Amerika
Daniel Berger
etching on paper · 1783
Rijksmuseum
The Actors Sawamura Sojuro III as Kusunoki Tatewaki Masatsura (right), Onoe Matsusuke I as the Monk Sahei Bozu (center) and Ichikawa Yaozo III as the Prince's Servant Kusunoki Uraminosuke (left), in the Play Kumoi no Hana Yoshino no Wakamusha, Performed at the Nakamura Theater in the Eleventh Month, 1786
The Actors Sawamura Sojuro III as Kusunoki Tatewaki Masatsura (right), Onoe Matsusuke I as the Monk Sahei Bozu (center) and Ichikawa Yaozo III as the Prince's Servant Kusunoki Uraminosuke (left), in the Play Kumoi no Hana Yoshino no Wakamusha, Performed at the Nakamura Theater in the Eleventh Month, 1786
Katsukawa Shunshō
Color woodblock print; hosoban; three sheets of a four-sheet composition · 1781
Art Institute of Chicago
The Present State of Great Britain
The Present State of Great Britain
James Phillips
Etching · 1779
The Metropolitan Museum of Art
Mitate (Parody) of Ono no Tofu in the Play Geiko Zashiki Kyogen
Mitate (Parody) of Ono no Tofu in the Play Geiko Zashiki Kyogen
Katsukawa Shunshō
Color woodblock print; aiban · 1771
Art Institute of Chicago
P
Plate 7: 'Ancient altar on which sacrifices were performed in antiquity, surrounded by other ruins' (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all' intorno), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi
Etching · 1743
The Metropolitan Museum of Art
P
Plate 9: 'Colonnaded hall according to the custom of the ancient Romans, and niches adorned witn statues' (Sala all'uso degli antichi Romani con colonne, e nicchie ornate di statue), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi
Etching · 1743
The Metropolitan Museum of Art
P
Plate 10: 'The ancient Capitol ascended by approximately one hundred steps [...]' (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi
Etching · 1743
The Metropolitan Museum of Art
P
Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' (Mausoleo antico eretto per le ceneri d'un imperadore romano), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi
Etching · 1743
The Metropolitan Museum of Art
P
Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli archi del medesimo v'è il canale, per cui si conduceva l'acqua in Roma), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi
Etching · 1743
The Metropolitan Museum of Art
V
View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)
Giovanni Battista Piranesi
Etching · 1743
The Metropolitan Museum of Art
Portrait of Samuel Bernard, Counselor of State
Portrait of Samuel Bernard, Counselor of State
Pierre-Imbert Drevet
Engraving on ivory laid paper · 1729
Art Institute of Chicago
The Actors Nakamura Takesaburo as Shikishi Naishinno and Tsuruya Nanboku as Gengoro in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
The Actors Nakamura Takesaburo as Shikishi Naishinno and Tsuruya Nanboku as Gengoro in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
Okumura Toshinobu
Hand-colored woodblock print; hosoban, urushi-e · 1719
Art Institute of Chicago
The actor Fujimura Handayu II as Nowake no Mae in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
The actor Fujimura Handayu II as Nowake no Mae in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
Okumura Toshinobu
Hand-colored woodblock print; hosoban, urushi-e · 1719
Art Institute of Chicago
The Actors Nakamura Takesaburo as Shikishi Naishinno and Tsuruya Nanboku as Gengoro in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
The Actors Nakamura Takesaburo as Shikishi Naishinno and Tsuruya Nanboku as Gengoro in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
Okumura Toshinobu
Hand-colored woodblock print; hosoban, urushi-e · 1719
Art Institute of Chicago
The actor Fujimura Handayu II as Nowake no Mae in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
The actor Fujimura Handayu II as Nowake no Mae in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719
Okumura Toshinobu
Hand-colored woodblock print; hosoban, urushi-e · 1719
Art Institute of Chicago
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