Database / Artworks
Artworks
View of the New York Quarantine, Staten Island
William James Bennett
hand-colored aquatint with touches of engraving onwove paper · 1833
National Gallery of Art
Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, 1757-1834, Marquis de Lafayette, General and Statesman
Pierre Jean David d'Angers
bronze · 1830
National Gallery of Art
冨
冨嶽三十六景 本所立川|Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
Woodblock print; ink and color on paper · 1830
The Metropolitan Museum of Art
George Washington, First President of the United States
Nicolas Eustache Maurin
Lithograph · 1828
The Metropolitan Museum of Art
United States Military Academy at West Point, Looking North
George Catlin
Watercolor on ivory · 1828
The Metropolitan Museum of Art
United States Military Academy at West Point, Looking South
George Catlin
Watercolor on ivory · 1828
The Metropolitan Museum of Art
Illustrations of the Book of Job: The Linnell Collection of Trial States of the Plates
William Blake
unbound portfolio with 66 engravings on various papers and vellum including proofs drawn into by Blake · 1825
National Gallery of Art
Tatekawa at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Katsushika Hokusai
Color woodblock print; oban · 1825
Art Institute of Chicago
Tatekawa River Lumberyard at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Katsushika Hokusai
Color woodblock print; oban · 1825
Art Institute of Chicago
Medal Commemorating the Treaty of Commerce between France and the United States
Bertrand Andrieu, French
Bronze · 1822
The Metropolitan Museum of Art
Medal Commemorating the Treaty of Commerce between France and the United States
Bertrand Andrieu
Bronze · 1822
The Metropolitan Museum of Art
冨
冨嶽三十六景 本所立川|Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
Woodblock print; ink and color on paper · 1820
The Metropolitan Museum of Art
冨
冨嶽三十六景 本所立川|Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
Woodblock print; ink and color on paper · 1820
The Metropolitan Museum of Art
Point Breeze, the Estate of Joseph Napoleon Bonaparte at Bordentown, New Jersey
Charles B. Lawrence
Oil on canvas · 1817
Art Institute of Chicago
State Physicians Bleeding John Bull to Death!!
George Cruikshank
Hand-colored etching on paper · 1816
Art Institute of Chicago
The English frigate Macedonian captured by the Ameican United States
Jean Jérôme Baugean
Etching on cream wove paper laid on board · 1814
Art Institute of Chicago
The Duchess of Kent's State Carriage
Constantin Guys
graphite · 1805
National Gallery of Art
State Carriage of George III
Giovanni Battista Cipriani, Italian
Black and various colored inks on white paper · 1805
Cooper Hewitt, Smithsonian Design Museum
La tentateur
Honoré Daumier
lithograph · 1800
National Gallery of Art
Néker, Minister of State and General Director of Finances, from the series Tableaux historiques de la révolution française
Levachez, père et fils
Aquatint and etching, with engraving, on ivory wove paper · 1798
Art Institute of Chicago
J. S. Bailly, Deputy States General, from the series Tableaux historiques de la révolution française
Levachez, père et fils
Aquatint and etching, with engraving, on ivory wove paper · 1798
Art Institute of Chicago
Album of prints from the series A Tōkaidō Board Game of Courtesans, Fifty-three Pairings in the Yoshiwara (Keisei dōchū sugoroku, Mitate Yoshiwara gojūsan tsui)
Keisai Eisen
Fifty-six woodblock prints mounted as an album; ink and color on paper · 1790
The Metropolitan Museum of Art
S
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
William Blake
Relief etching printed in orange-brown ink and hand-colored with watercolor, ink and shell gold · 1789
The Metropolitan Museum of Art
S
Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page
William Blake
Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold · 1789
The Metropolitan Museum of Art