Database / Artworks
Artworks

Cerak Vinogradi Housing Estate, Belgrade, Serbia (Interior Perspectives, c. 1980)
Darko Marušić
Ink and crayon on paper · 1977
Museum of Modern Art

Cerak Vinogradi Housing Estate, Belgrade, Serbia ("Flexible-plan" apartment diagrams, 1981)
Darko Marušić
Ink on paper · 1977
Museum of Modern Art

Cerak Vinogradi Housing Estate, Belgrade, Serbia (Catalog of apartments for Cerak 2, 1984)
Darko Marušić
Offset lithograph · 1977
Museum of Modern Art

Cerak Vinogradi Housing Estate, Belgrade, Serbia (Scheme for pedestrian paths in the neiborhood, 1978)
Darko Marušić
Ink on paper · 1977
Museum of Modern Art
C
Cover for a Lesbian Estate
Jess
Cut-and-pasted printed paper on board with colored mat · 1977
Museum of Modern Art

United States National Park Service Publication Program, Site Bulletins
Massimo Vignelli
Lithograph · 1977
Museum of Modern Art

United States National Park Service Publication Program, Unigrid
Massimo Vignelli
Lithograph · 1977
Museum of Modern Art
P
Protestant Women from Springmartin Estates, Belfast, "We are the Ones Who Should Get the Sympathy" from the series The Troubles
Les Levine
One from a portfolio of 18 photoetchings · 1977
Museum of Modern Art
P
Protestant Mother from Springmartin Estates, "They Try to Shoot Up at Us Every Night of the Week" from the series The Troubles
Les Levine
One from a portfolio of 18 photoetchings · 1977
Museum of Modern Art

Statement
Mira Schor
Ink, dry pigment, and Japan Gold Size on rice paper · 1976
Museum of Modern Art
M
Mock-up for the United States Bicentennial poster
Massimo Vignelli
Newsprint · 1976
Museum of Modern Art
P
Poster for the United States Bicentennial
Massimo Vignelli
Newsprint · 1976
Museum of Modern Art
P
Poster and mock-up for the United States Bicentennial
Massimo Vignelli
Newsprint · 1976
Museum of Modern Art

Television cameramen are a special breed. When you read something in a book you say that's someone's opinion. When you see it on TV you say that's gospel. I have one minute, thirty seconds to make a statement., It had to be accurate, it has to be the truth.
Bill Owens
Gelatin silver print · 1976
Museum of Modern Art
G
Gesture II (State II) from the series Gestures
Robert Motherwell
Aquatint · 1976
Museum of Modern Art
G
Gesture IV (State II) from the series Gestures
Robert Motherwell
Aquatint · 1976
Museum of Modern Art
G
Gesture I (State II) from the series Gestures
Robert Motherwell
Aquatint · 1976
Museum of Modern Art
G
GESTURE IV (STATE I) from the series GESTURES
Robert Motherwell
Ivory, smooth, wove J. B. Green paper · 1976
Museum of Modern Art
G
GESTURE I (STATE I) from the series GESTURES
Robert Motherwell
Ivory, smooth, wove J. B. Green paper · 1976
Museum of Modern Art
G
GESTURE II (STATE I) from the series GESTURES
Robert Motherwell
Light gray, smooth, wove J. B. Green paper · 1976
Museum of Modern Art

New York State
Lee Friedlander
Gelatin silver print · 1976
Museum of Modern Art

Second State
Alan Green
Intaglio print on paper · 1975
Tate

Second State
Alan Green
Intaglio print on paper · 1975
Tate
D
Days End Pier 52.2 (Documentation of the action "Day's End" made in 1975 in New York, United States)
Gordon Matta-Clark
Gelatin silver print · 1975
Whitney Museum of American Art