Database / Artworks
Artworks
R
Rotated Skyline
Sarah Crowner
Etching and aquatint with lithography · 2025
Museum of Modern Art
F
Flyboy, Tate-Massive_01 (Bird and Lava)
Torkwase Dyson
Acrylic and wood on canvas · 2021
Whitney Museum of American Art
U
United States Capitol, Washington D.C.
Josh Kline
Digital C-print, metal frame, hardware, pump, water, LED lights, glass, acrylic, colored gels, paint · 2019
Whitney Museum of American Art

Aggregate States of Matters
Rosa Barba
35mm film (color, sound; 21:14 min.) and custom 35mm projection system · 2019
Museum of Modern Art
O
Orthostates
Rayyane Tabet
32 charcoal on paper drawings · 2017
The Metropolitan Museum of Art

Documenting the Netherlands: Stateless
Anoek Steketee
inkjet print on baryta paper · 2017
Rijksmuseum
I
Ian F. Svenonius’s “Censorship Now” for the 2017 Whitney Biennial, Spread 3 of 8 (pp. 16–17) (the state, like a rampaging mob boss)
Frances Stark
Acrylic, ink, and oil on canvas · 2017
Whitney Museum of American Art

Pembury Estate
Stan Douglas
Digital chromogenic print mounted on Dibond aluminum · 2017
Art Institute of Chicago

Lagos State of Mind III
Emeka Ogboh
Eighteen-channel sound installation (35:25 min.), painted wall, galvanized steel and aluminum street sign, U-Bahn metro sign, concrete slab, vinyl wall graphic · 2017
Museum of Modern Art
U
Unclaimed Estates
Toyin Ojih Odutola
Pastel with charcoal and graphite on paper · 2017
The Metropolitan Museum of Art

Keep Away from Children, Venice, Los Angeles, United States
Nadja Buttendorf
Inkjet print · 2016
Museum of Modern Art

Untitled (State I)
Martin Puryear
Intaglio · 2016
Museum of Modern Art

Untitled (State 2)
Martin Puryear
Intaglio · 2016
Museum of Modern Art

Film Set ("Free State of Jones"), Battle of Corinth, Bush, Louisiana
An-My Lê
Inkjet print · 2015
Museum of Modern Art

High-relief #12: Plant Breeders. Three plant breeders, two women and a man. At the time of the Leningrad Siege all of the plant breeders of the Vavilov Research Institute of Plant Industry starved to death guarding stocks of rice, wheat, corn, beans and potatoes for future generations. The few plant breeders working at the time that the Narvskaya metro station reliefs were sculpted, passed away not long before the time of these photographs taken at the St. Petersburg State Academy of Fine Arts.
Liisa Roberts
Chromogenic print · 2015
Museum of Modern Art
S
Stateless 2014-2015
Gohar Dashti
Portfolio of eight archival pigment prints · 2014
Cleveland Museum of Art
S
Stateless 2014-2015
Gohar Dashti
Portfolio of eight archival pigment prints · 2014
Cleveland Museum of Art

Untitled (State 2)
Martin Puryear
Color soft ground etching, with drypoint, on cream Japanese paper, laid down on white wove paper (chine collé) · 2014
Art Institute of Chicago
B
Book: Menjivar, Mark, ed. Ben Kinmont & Mark Menjivar: PSU Art and Social Practice Reference Points. Portland: Portland State University Art and Social Practice Program, [2014]
Ben Kinmont
Artist's book with frontispiece and twenty-three illustrations · 2014
Museum of Modern Art

Untitled VI (State 2)
Martin Puryear
Soft ground etching, drypoint and spitbite in light brown and black on cream Japanese paper, laid down on white wove paper (chine collé) · 2012
Art Institute of Chicago

The Estates at Horsepen from the portfolio Our Present Invention
Stanley Wolukau-Wanambwa
Inkjet print · 2012
Museum of Modern Art

Taiyo no tate (Sunstorm) Blue Flash/Green Flash
DAS INSTITUT
Video (color, sound) · 2012
Museum of Modern Art
A
A Handley Page Halifax of No. 4 Group flies over the suburbs of Caen, France, during a major daylight raid to assist the Normandy land battle. 467 aircraft took part in the attack, which was originally intended to have bombed German strongpoints north of, Caen, but the bombing area was eventually shifted nearer the city because of the proximity of Allied troops to the original targets. The resulting bombing devastated the northern suburbs, 1944/2012
Lisa Oppenheim
Five gelatin silver prints (photograms) · 2012
Museum of Modern Art
W
WoW, Laguna Beach, California, United States
Aram Bartholl
Inkjet print · 2011
Museum of Modern Art