Database / Artworks
Artworks
![Psyche's Entrance into Cupid's Palace [left fragment], from The Story of Psyche](https://www.artic.edu/iiif/2/52033d0b-894e-b7d7-e729-00c5187dbbd4/full/843,/0/default.jpg)
Psyche's Entrance into Cupid's Palace [left fragment], from The Story of Psyche
François Boucher
Wool and silk, slit and double interlocking tapestry weave · 1756
Art Institute of Chicago
![Psyche's Entrance into Cupid's Palace [right fragment] from the Story of Psyche](https://www.artic.edu/iiif/2/820dd6a7-172e-ea8f-a7b0-9804a45467d5/full/843,/0/default.jpg)
Psyche's Entrance into Cupid's Palace [right fragment] from the Story of Psyche
François Boucher
Wool and silk; tapestry weave · 1756
Art Institute of Chicago
Psyche's Entrance into Cupid's Palace from the Story of Psyche
François Boucher
Wool and silk; tapestry weave · 1756
Art Institute of Chicago
Sampler
Mary Freeman, English
embroidery & stitching, sampler — medium: silk, wool technique:embroidered in cross stitch and flame stitch on plain weave foundation · 1753
Cooper Hewitt, Smithsonian Design Museum
Sampler
Ann Winchester, English
embroidery & stitching, sampler — medium: wool, silk technique: embroidered in eyelet, cross, stem, and satin stitches · 1752
Cooper Hewitt, Smithsonian Design Museum
Cheval fire screen
Thomas W. Moore
Mahogany, wool knotted-pile panel (not original to the screen) · 1750
The Metropolitan Museum of Art
Cheval fire screen
Thomas Moore
Mahogany, wool knotted-pile panel (not original to the screen) · 1750
The Metropolitan Museum of Art
Cheval fire screen
Thomas Moore
Mahogany, wool knotted-pile panel (not original to the screen) · 1750
The Metropolitan Museum of Art
Panel (Furnishing Fabric)
Manchu
Silk and wool, slit tapestry weave · 1750
Art Institute of Chicago
Panel (Furnishing Fabric)
Manchu
Silk and wool, slit tapestry weave · 1750
Art Institute of Chicago
Waistcoat
Maria
silk, wool, linen, metal · 1747
The Metropolitan Museum of Art
Waistcoat
Anna Maria Garthwaite
silk, wool, linen, metal · 1747
The Metropolitan Museum of Art
The Vintage from The Story of Daphnis and Chloe
Etienne Jeaurat
Wool, silk (18-20 warps per inch, 7-8 per cm.) · 1741
The Metropolitan Museum of Art
E
Embroidered Picture
Gaultier, Jean-Paul
Linen embroidered with wool, silk, and metallic threads · 1737
The Metropolitan Museum of Art
E
Embroidered Picture
Gaultier, Jean-Paul
Linen embroidered with wool, silk, and metallic threads · 1737
The Metropolitan Museum of Art
King George II (1683–1760)
Beaver
Wool, silk, carved and gilded wood (21-22 warps per inch, 9 per cm.) · 1732
The Metropolitan Museum of Art
King George II (1683–1760)
Beaver
Wool, silk, carved and gilded wood (21-22 warps per inch, 9 per cm.) · 1732
The Metropolitan Museum of Art
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight)
Belin
Wool, silk (18-21 warps per inch, 8 per cm.) · 1725
The Metropolitan Museum of Art
Embroidered Sampler
Anne Chase Martin
Silk embroidery on wool · 1721
The Metropolitan Museum of Art
Chancellerie
Manufacture Royale des Gobelins
Wool and silk, slit and double interlocking tapestry weave · 1718
Art Institute of Chicago
Chancellerie
Manufacture Royale des Gobelins
Wool and silk, slit and double interlocking tapestry weave · 1718
Art Institute of Chicago
Chancellerie
Manufacture Royale de Beauvais
Wool and silk, slit and double interlocking tapestry weave · 1718
Art Institute of Chicago
The Month of June/The Sign of Cancer, from The Grotesque Months
Claude Audran III
Wool and silk, slit and double interlocking tapestry weave · 1716
Art Institute of Chicago
The Month of July/The Sign of Leo, from The Grotesque Months
Claude Audran III
Wool and silk, slit and double interlocking tapestry weave · 1716
Art Institute of Chicago