Database / Artworks
Artworks
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
H
Home in Thomaston Maine
C. L. Pond
Wool, embroidered in tent-stitch · 1797
The Metropolitan Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Unknown
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
British
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Bed rug
L. N. TASKAR
Wool embroidered with wool · 1796
The Metropolitan Museum of Art
Bed rug
L N Rana
Wool embroidered with wool · 1796
The Metropolitan Museum of Art
Bed Rug
Hannah Johnson
Wool, plain weave; with cut pile formed by wool yarns embroidered in looped running stitches · 1796
Art Institute of Chicago
Central Medallion Quilt with "Yankee Puzzle" or "Hour Glass" Borders
Mary Carpenter Jones
Center: cotton, plain weave; embroidered with silk, cotton, and wool in buttonhole, chain, cross, single cross, feather, Roumanian, satin, single satin, stem, and twined double running stitches.
Squares: cotton, cotton and linen, and linen, plain weaves; block, copperplate, and roller printed · 1795
Art Institute of Chicago
Sampler
Brunnell
Medium: wool foundation, silk embroidery, linen edging tape Technique: counted and uncounted stitches; cross, eye, stem and satin stitches on plain weave foundation · 1795
Cooper Hewitt, Smithsonian Design Museum
Bedcover
Sisters of the Honorable Amos Patterson
Wool, twill weave; embroidered with wool in buttonhole, herringbone, Roumanian, satin and stem stitches; edged with fringe · 1793
Art Institute of Chicago
Sampler
Polly Bedford
Wool, plain weave; embroidered with silk floss and silk yarns in back, chain, Cretan, individual back, individual running, Roman, satin, stem, and surface satin stitches; laid work, couching, and Roumanian couching · 1791
Art Institute of Chicago
The Continence of Bayard from a set of The History of France
Louis Jean Jacques Durameau
Wool, silk (22-23 warps per inch, 9-10 per cm.) · 1788
The Metropolitan Museum of Art
Sampler
Mary Wood
embroidery & stitching, sampler — medium: wool, silk. technique: embroidery in cross stitch and eye stitch. · 1782
Cooper Hewitt, Smithsonian Design Museum
The Bird Catcher, from The Noble Pastoral
François Boucher
Wool and silk, slit and double interlocking tapestry weave · 1778
Art Institute of Chicago