Database / Artworks
Artworks
Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome
Giuseppe Palazzi, Italian
Graphite, pen and ink, brush and watercolor on paper
Cooper Hewitt, Smithsonian Design Museum
Project for the Elevation of a Villa
Paolo Posi, Italian
Pen and brown ink; brush and gray wash and watercolor on off white laid paper.
Cooper Hewitt, Smithsonian Design Museum
A Candlestick with Four Branches
Luigi Righetti, Italian
Pen and ink, brush and watercolor on paper
Cooper Hewitt, Smithsonian Design Museum
Chester and Irma Rant House, Northfield, Illinois, Perspective
Bruce Goff
Colored pencil and graphite with touches of opaque watercolor on tracing paper mounted to laminated paperboard
Art Institute of Chicago
3-Square House, Hypothetical Study
Bruce Goff
Watercolor, graphite, and ink on gray paper-faced laminated paperboard
Art Institute of Chicago
Irma Bartman House, Louisville, Kentucky, Interior Perspective
Bruce Goff
Colored pencil with graphite and opaque watercolor over diazo print on cream wove paper
Art Institute of Chicago
Marks House, Chicago, Illinois, Interior Perspective
Bruce Goff
Opaque and translucent watercolor, graphite, and sand on white illustration board
Art Institute of Chicago
Mosaic Mural, Liberty Federal Savings and Loan Association, Stillwater, Oklahoma, Elevation
Bruce Goff
Graphite, colored pencil, and opaque and translucent watercolor over diazo print on tracing paper
Art Institute of Chicago
Joe Price Studio, Bartlesville, Oklahoma, Perspective
Bruce Goff
Graphite and colored pencil with opaque watercolor on cream wove paper
Art Institute of Chicago
Joe Price Studio, Bartlesville, Oklahoma, Interior Perspective
Bruce Goff
Graphite and colored pencil with opaque watercolor on cream wove paper
Art Institute of Chicago
Two Sailboats
William Trost Richards, American
Brush and watercolor, white gouche, graphite, on white textured wove paper.
Cooper Hewitt, Smithsonian Design Museum
A Salon, probably in Stuttgart
Caspar Obach, German
Brush and watercolor, gold paint, graphite on white wove paper
Cooper Hewitt, Smithsonian Design Museum
The Library at Dingestow
Charlotte Bosanquet, British
Brush and watercolor, pen and black ink, graphite on white wove paper
Cooper Hewitt, Smithsonian Design Museum
untitled (urban study of a harbor)
Cedric Price
Watercolor, pencil, ballpoint pen and crayon on diazotype
Museum of Modern Art
Broken Vessel
Sari Dienes
Watercolor, ink, and pencil on paper
Museum of Modern Art
Grizzly Gulch Valley Ohansburg Vermont
Joseph E. Yoakum
Black ballpoint pen and watercolor on paper
Museum of Modern Art
a) The Vivian girls nuded like child slaves b) Untitled (Sacred Heart) and At second battle of Marcocino also escape from disasterous explosion during battle caused by glandelinians
Henry Darger
Watercolor and pencil on paper
Museum of Modern Art
a) Untitled (Strangled child in the sky) b) At Norma Catherine nearing enemy lines are captured
Henry Darger
Watercolor and pencil on paper
Museum of Modern Art
a) Untitled (Sombreros and orange canyon) b) Untitled (Two boys canoeing)
Henry Darger
Watercolor and pencil on paper
Museum of Modern Art
a) At Jennie Richee the Blengins stay under shelter b) Lightning strikes the crazy outfit again
Henry Darger
Watercolor, pencil, and ink on paper
Museum of Modern Art
a) Untitled (Grape shaped damna fruit) b) Untitled (Vines strangling girls)
Henry Darger
Watercolor and pencil on paper
Museum of Modern Art
Spangled Blengins. Boy King Islands. One is a young Tuskerhorian the other a human headed Dortherean.
Henry Darger
Watercolor, pencil, and cut-and-pasted printed paper on paper
Museum of Modern Art
a) Captured by Glandelinians under Baldwin (Baldwin not shown here) during the frightful carnage at Aronburgs Run or Glorianna b) Picture No Two of the same scenes
Henry Darger
Watercolor and pencil on paper
Museum of Modern Art
At Jennie Richee At shore of Aronburg Run River... (recto); Untitled (Girl swinging on vine) (verso)
Henry Darger
Watercolor, carbon paper transfer, pencil, ink and cut-and-pasted printed papers on paper (recto); Watercolor, carbon paper transfer, and pencil on paper (verso)
Museum of Modern Art