Database / Artworks
Artworks
The Mocking of the Prodigal Son ( Der Verlorene Sohn wird verspottet )
Max Beckmann
Gouache and watercolor over ink and pencil drawing on parchment · 1918
Museum of Modern Art
The Prodigal Son Among Swine ( Der Verlorene Sohn unter den Schweinen )
Max Beckmann
Gouache and watercolor over ink and pencil drawing on parchment · 1918
Museum of Modern Art
Self-Portrait, with Glasses
George Grosz
Drypoint on cream laid imitation parchment paper · 1913
Art Institute of Chicago
L
La Prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and Little Joan of France)
Sonia Delaunay
Accordion-format book with pochoir illustrations, letterpress text, and inscriptions in colored ink and pencil; parchment cover with paint and crayon · 1913
Museum of Modern Art
L
La Prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and of Little Joan of France)
Sonia Delaunay
Accordion-format book with pochoir illustrations, letterpress text, and inscriptions in colored ink and pencil; hand-painted parchment wrapper · 1913
Museum of Modern Art
L
La Tour simultanée [Simultaneous Views of the Tower]
Robert Delaunay
Gouache, pen and India ink and brown ink, colored pencils over pencil on parchment · 1910
The Metropolitan Museum of Art
Eiffel Tower Chair
Carlo Bugatti
Wood frame covered with parchment, painted and gilded, applied brass mounts · 1902
Art Institute of Chicago
Armstoel van notenhout, ingelegd met quasi oosterse karakters van tin
Carlo Bugatti
ivory, parchment (animal material), pine (wood), walnut (hardwood), silk, tin (metal), ebony (wood), copper (metal) · 1900
Rijksmuseum
Stoel, Art Nouveau, met perkament beklede rug en zitting.
Carlo Bugatti
copper (metal), walnut (hardwood), parchment (animal material), tin (metal), ivory, silk, pine (wood) · 1900
Rijksmuseum
Cabinet
Carlo Bugatti
wood with metal inlays and painted parchment, glass doors and mirror · 1895
Cleveland Museum of Art
Noa noa (Fragrant)
Paul Gauguin
Wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment · 1894
Art Institute of Chicago
Head of a Tahitian Woman
Paul Gauguin
Pen and brush and black ink, with green, blue, yellow and white gouache, over pen and brown ink and touches of graphite, on parchment · 1891
Art Institute of Chicago
Tahitians Fishing
Paul Gauguin
Brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper · 1891
Art Institute of Chicago
Ten Studies of Tahitian Figures
Paul Gauguin
Brush and brown inks (originally purple), with watercolor, on parchment · 1891
Art Institute of Chicago
Two Tahitian Women and a Marquesan Earplug
Paul Gauguin
Pen and brown ink and graphite on parchment · 1891
Art Institute of Chicago
Head of a Tahitian Woman
Paul Gauguin
graphite with stumping and graphite wash on parchment · 1891
Eight Bells
Winslow Homer
Etching on ivory parchment · 1887
Art Institute of Chicago
The Olive Trees of the Riviera
Samuel Colman
parchment · 1884
Cleveland Museum of Art
The witch
Luis Ricardo Falero
parchment · 1882
Pleated fan
Franz Widnmann, German
Vellum leaf backed with plain parchment, painted with gouache; carved, pierced and painted mother-of-pearl sticks · 1880
Cooper Hewitt, Smithsonian Design Museum
Head of a Raven in Profile, from The Raven (Le Corbeau)
Édouard Manet
Transfer lithograph in black on tan simili-parchment paper · 1875
Art Institute of Chicago
Flying Raven: ex libris, from The Raven (Le Corbeau)
Édouard Manet
Transfer lithograph in black on ivory parchment paper · 1875
Art Institute of Chicago
Flying Raven: ex libris, from The Raven (Le Corbeau)
Édouard Manet
Transfer lithograph in black on ivory parchment paper · 1875
Art Institute of Chicago
Peasants Going to Work
Jean-François Millet
Etching and drypoint on ivory wove parchment paper · 1863
Art Institute of Chicago