Database / Artworks
Artworks

Study for frontispiece to ‘A Press View at teh Tate Gallery’ by William Roberts
William Roberts
Ink and graphite on paper · 1956
Tate

Study for ‘The Broken Vortex’ for the back cover of ‘Cometism and Vorticism: A Tate Gallery Catalogue Revised’ by William Roberts
William Roberts
Ink and graphite on paper · 1956
Tate

Such Purity...
Richard Aberle Florsheim
Pen and black ink and graphite, with watercolor, on off-white illustration board · 1956
Art Institute of Chicago
[
[History of Art Chart]
George Maciunas
Ink and graphite on lined paper · 1955
Museum of Modern Art
[
[Greek and Roman History of Art Chart]
George Maciunas
Ink and graphite on paper · 1955
Museum of Modern Art
P
Preliminary unfinished form of the proposed index coordinate graph
George Maciunas
Ink, red felt-tip ink and graphite on paper · 1955
Museum of Modern Art
[
[Roman History of Art Chart]
George Maciunas
Ink and graphite on paper · 1955
Museum of Modern Art
A
Artist's ledger - Book V
Edward Hopper
Pen and ink and graphite pencil on paper · 1953
Whitney Museum of American Art

Skeleton Party
Edward Burra
Watercolour, ink and graphite on paper · 1952
Tate

City Tower project, Philadelphia, PA (Perspective sketch)
Anne Tyng
Ink and graphite on tracing paper · 1952
Museum of Modern Art
U
Untitled (figure study)
Nicholas Krushenick
Black ink and graphite on paper · 1951
The Metropolitan Museum of Art
H
Havana Cathedral Square 1949
Emilio Sanchez
Ink and graphite · 1949
The Metropolitan Museum of Art

Sedlachek House Perspective
Edgar Bartolucci
Pen and black ink and graphite on tan wove tracing paper · 1949
Art Institute of Chicago

Sedlachek House Perspective
Edgar Bartolucci
Pen and black ink and graphite on tan wove tracing paper · 1949
Art Institute of Chicago

Sedlachek House Perspective
Edgar Bartolucci
Pen and black ink and graphite on tan wove tracing paper · 1949
Art Institute of Chicago

B Movie
Saul Steinberg
Pen and brush and black ink and graphite with wiping, smudging and erasing, with colored crayon, watercolor, rubber stamp in gray ink, and gummed registration crosses, ruled in graphite, on two sheets of ivory wove paper, pieced · 1948
Art Institute of Chicago

Willard Gidwitz House, Chicago, Illinois, Site Plan
John Van der Meulen
Ink and graphite on vellum · 1947
Art Institute of Chicago

Sandhill Crane
Yves Tanguy
Gouache with pen and black ink and graphite on gray wove paper · 1945
Art Institute of Chicago

Crystal Chapel and Student Religious Building, Norman, Oklahoma: Parking and Basement Level Plan
Bruce Goff
Ink and graphite on white tracing paper · 1944
Art Institute of Chicago

Untitled (studies with “elephant in a thicket”)
Cosmo Campoli
Pen and brush and blue ink and graphite on cream wove paper, mounted on board · 1943
Art Institute of Chicago

Study for The Rock
Peter Blume
Pen and brush and black and blue ink, with graphite, on tan wove paper, tipped onto light brown wove paper, squared in pen and black ink and graphite · 1943
Art Institute of Chicago

Studies for The Rock
Peter Blume
Brush and black ink and graphite on tan wove paper, perimeter mounted on brown wove paper · 1943
Art Institute of Chicago

Cover Design for ‘Fantasy for Flute’ by David Roberts
William Roberts
Ink and graphite on paper · 1942
Tate

Nude
John Piper
Watercolour, gouache, ink and graphite on paper · 1942
Tate