Database / Artworks
Artworks
Water color; On the shore in Chiaja
Saverio della Gatta, Italian
figures, drawing — black chalk and various water colors on paper. · 1828
Cooper Hewitt, Smithsonian Design Museum
Male Nude
Luigi Calamatta, Italian
figures, drawing — black and white crayon on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Three Studies of Wall Mirrors
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1822
Cooper Hewitt, Smithsonian Design Museum
Venus and Cupid, Study after Annibale Carracci
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash over black chalk on heavy white paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy wove white paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lunette with St. Peter and St.Paul with St. Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Female Figure Among Clouds; Resurrection, Study after Panetti
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash, black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Four Evangelists, Study after Giambologna
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy white laid paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Glauco and Scylla, study after Agostino Carracci
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Aeneas Group from the Conflagration in the Borgo
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and sepia wash over traces of graphite on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Poetry, after Raphael Sanzio
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Group with Petrarch and Sappho in "Parnassus" after Raphael Sanzio
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and dark brown wash on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Two Attendants with the Heavenly Horseman
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and sepia wash over black chalk on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Two Groups Captives from the Victory of Leo IV over the Saracens
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and sepia wash, black chalk on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Tribonian Presents Pandects to Emperor Julian, after Perino del Vaga; Sketch of Trophy
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and sepia wash on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
A Fireplace Wall and Two Alternative Ceiling Schemes
Felice Giani, Italian
figures, drawing — pen and dark brown ink on lighblue laid paper. · 1820
Cooper Hewitt, Smithsonian Design Museum
Saint Paul and Figures, after Raphael
Felice Giani, Italian
figures, drawing — graphite, pen and ink, brush and sepia wash on paper. · 1820
Cooper Hewitt, Smithsonian Design Museum
Autumn and Winter: Eight Muses in Pairs set in Octagons.
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of black chalk on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Antique Statue of a Priestess
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and sepia wash on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Neptune Riding over the Sea in a Chariot
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on off white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum