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Artworks

286 records · etching, engraving
Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints
Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints
Norman Roland Eppink
Etching, engraving, and soft ground etching in black on ivory wove paper · 1967
Art Institute of Chicago
Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints
Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints
Norman Roland Eppink
Etching, engraving, and acquaint in black, with color pochoir additions, on ivory wove paper · 1967
Art Institute of Chicago
Upway Landscape No. 1, State II/III
Upway Landscape No. 1, State II/III
Fred Williams
Etching, engraving and drypoint · 1965
Museum of Modern Art
Arctic Bird I
Arctic Bird I
Gabor Peterdi
Etching, engraving, aquatint in six colors on cream wove paper · 1964
Art Institute of Chicago
March Ballet
March Ballet
Doris Kreindler
Etching, engraving, and aquatint · 1964
Museum of Modern Art
N
NUMBER 68
Rudolf Schoofs
Etching, engraving and drypoint, printed in color · 1963
Museum of Modern Art
M
Matsumi Maki
Peter Bradley
Etching, engraving and aquatint · 1962
The Metropolitan Museum of Art
T
The Big Rock
Gabor Peterdi
Etching, engraving, and aquatint · 1961
Museum of Modern Art
C
Cliffs I
Gabor Peterdi
Etching, engraving, and aquatint · 1961
Museum of Modern Art
In-text plate (folio 19) from 21 Etchings and Poems
In-text plate (folio 19) from 21 Etchings and Poems
Kurt Roesch
Etching, engraving, and aquatint from an illustrated book with 14 etchings (six with aquatint, four with engraving, one with drypoint), two aquatints, two engravings, two drypoints, and one photogravure · 1960
Museum of Modern Art
Vertical Rock
Vertical Rock
Gabor Peterdi
Etching, engraving, aquatint on cream wove paper · 1959
Art Institute of Chicago
C
Come detta dentro vo significando
Roberto Matta
Illustrated book with thirteen soft ground etching and aquatints (some with etching, engraving, and/or roulette), and nine etching and aquatints (one with engraving) · 1959
Museum of Modern Art
P
Plate with 4 techniques
Mario Avati
Soft-ground etching, engraving, stipple engraving, and drypoint on cream wove paper · 1958
The Metropolitan Museum of Art
Glowing Tree
Glowing Tree
Gabor Peterdi
Color etching, engraving and lift ground aquatint on white wove paper · 1958
Art Institute of Chicago
The Vision
The Vision
Mauricio Lasansky
Etching, engraving, aquatint, soft ground, electric stippler, scraping and burnishing in yellow ocre and black on ivory wove paper · 1956
Art Institute of Chicago
Spain
Spain
Mauricio Lasansky
Color etching, engraving, aquatint, soft ground, scraping and burnishing in yellow ocre and black on white wove paper · 1956
Art Institute of Chicago
Composition
Composition
Pierre Courtin
Etching, engraving, and built up plate · 1956
Museum of Modern Art
Of Earth and Water
Of Earth and Water
Gabor Peterdi
Etching, engraving, and aquatint in blue on ivory wove paper · 1955
Art Institute of Chicago
Cascade (Waterfall), from Of Earth and Water
Cascade (Waterfall), from Of Earth and Water
Gabor Peterdi
Lift-ground etching, engraving, and aquatint in black on ivory wove paper · 1955
Art Institute of Chicago
Wounded Darkness
Wounded Darkness
Gabor Peterdi
Etching, engraving, aquatint with four stenciled colors on white wove paper · 1954
Art Institute of Chicago
Night and Day
Night and Day
Stanley William Hayter
Color etching, soft ground etching, engraving and scorper on paper · 1952
Art Institute of Chicago
Pierced and Beset
Pierced and Beset
Lee Chesney
Etching, engraving, and aquatint · 1951
Museum of Modern Art
S
SEWING MACHINE
Fuller Griffith
Hard and soft ground etching, engraving, aquatint, printed in black · 1951
Museum of Modern Art
Studio
Studio
Gabor Peterdi
Color etching, engraving and aquaint on ivory wove paper · 1950
Art Institute of Chicago
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