Database / Artworks
Artworks
U
Untitled
Richard Stankiewicz
drypoint and open bite · 1964
Cleveland Museum of Art
The Day After
Edvard Munch
Drypoint and open bite etching in black ink on lightweight ivory wove paper, laid down on heavyweight off-white wove paper (chine collé) · 1894
Art Institute of Chicago
The Day After
Edvard Munch
Drypoint and open bite on cream wove paper · 1894
Art Institute of Chicago
Study of a Model
Edvard Munch
Drypoint and open bite etching in black on off-white wove plate paper · 1894
Art Institute of Chicago
Consolation
Edvard Munch
Drypoint and open bite in black on cream wove paper · 1894
Art Institute of Chicago
The Palaces
James McNeill Whistler
etching, drypoint and open bite on laid paper · 1880
National Gallery of Art
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in black ink on ivory laid paper · 1879
Art Institute of Chicago
T
The Palaces
James McNeill Whistler
Etching, drypoint and open bite (?), printed in black ink on medium weight ivory laid paper; fifth state of six (Glasgow) · 1879
The Metropolitan Museum of Art
T
The Palaces
James McNeill Whistler
Etching, drypoint and open bite (?); fifth state of six (Glasgow); Printed in black ink on fine ivory laid paper · 1879
The Metropolitan Museum of Art
Under Old Battersea Bridge
James McNeill Whistler
Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1876
Art Institute of Chicago
The Piano
James McNeill Whistler
Drypoint and open bite in black ink on off-white laid paper · 1875
Art Institute of Chicago
F. R. Leyland
James McNeill Whistler
Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
F. R. Leyland
James McNeill Whistler
etching, drypoint and open bite on "japon mince" paper · 1870
National Gallery of Art