Database / Artworks
Artworks
The Plunge
Jacques Villon
Drypoint and etching on ivory laid paper · 1934
Art Institute of Chicago
Bullfight. Wounded Female Bullfighter III, from the Vollard Suite
Pablo Picasso
Drypoint and etching with engraving on copper in black on off-white laid paper · 1933
Art Institute of Chicago
Le peintre décorateur (The Painter Decorator)
Jacques Villon
Drypoint and etching on ivory wove paper · 1931
Art Institute of Chicago
The Haulers (Les Haleurs)
Jacques Villon
Drypoint and etching · 1930
Museum of Modern Art
S
SATAN III (unpublished proof) from LES FLEURS DU MAL (published 1966)
Georges Rouault
Drypoint and etching over photogravure, printed in black · 1926
Museum of Modern Art
Man Seated
Fritz Pauli
Drypoint and etching on cream Japanese paper · 1925
Art Institute of Chicago
The Sleeping Cat
Mily Possoz
Drypoint and etching in black on paper · 1925
Art Institute of Chicago
Buried Men (January 1916, Champagne), from War
Otto Dix
Drypoint and etching on cream wove paper · 1924
Art Institute of Chicago
B
Boys and Donkeys
George Overbury ("Pop") Hart
Drypoint and etching · 1924
Museum of Modern Art
Plate (facing page 14) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Ornamental initial E (page 1) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Lithograph from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Plate (facing page 20) from Yali und sein weisses Weib
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Plate (facing page 12) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Plate (facing page 26) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etching and one lithograph · 1923
Museum of Modern Art
Plate (facing page 16) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Plate (facing page 10) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Illustrated book with eight drypoint and etchings, and one lithograph · 1923
Museum of Modern Art
Plate (facing page 8) from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
Frontispiece from Yali und sein weisses Weib (Yali and His White Wife)
Max Pechstein
Drypoint and etching from an illustrated book with eight drypoint and etchings and one lithograph · 1923
Museum of Modern Art
J. B. Neumann
Otto Dix
Drypoint and etching · 1922
Museum of Modern Art
I
International Circus Equestrian
Otto Dix
Drypoint and etching · 1922
The Metropolitan Museum of Art
A
American Circus Equestrians
Otto Dix
Drypoint and etching · 1922
The Metropolitan Museum of Art
La Borne - Verdun (The End - Verdun)
Jean-Louis Forain
drypoint and etching on on laid Van Gelder paper · 1916
National Gallery of Art
The End - Verdun
Jean-Louis Forain
drypoint and etching on wove paper · 1916
National Gallery of Art