Database / Artworks
Artworks
Conversions I: Light, Reflections, Self-Control
Vito Acconci
Gelatin silver prints and chalk on board · 1970
Museum of Modern Art
Chalk-Mirror Displacement
Robert Smithson
Sixteen mirrors and chalk · 1969
Art Institute of Chicago
Riverfront
Saul Steinberg
Rubber stamps in black ink, with ruling in black chalk and graphite, on ivory wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Color etching and sugar-lift aquatint in white from two plates, with additions in chalk, on brown wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint from one copperplate, with blue, yellow, and red chalk, on white wove paper · 1969
Art Institute of Chicago
Night Smoke
James Rosenquist
Chalk with ink tapouts on ivory wove paper · 1969
Art Institute of Chicago
Following Piece
Vito Acconci
Gelatin silver prints, chalk, and ink on index cards mounted to board · 1969
Museum of Modern Art
N
Number 34
Rudolf Ray
Oil, chalk, and gravel on Masonite · 1968
The Metropolitan Museum of Art
Working Drawing for ‘Primrose Hill’
Frank Auerbach
Chalk and graphite on paper · 1968
Tate
Untitled
Theodore Halkin
Colored pencil, colored chalk, and black felt-tip pen on cream wove paper · 1968
Art Institute of Chicago
Study for Fourteenth Stone
Lee Bontecou
Graphite and red chalk on tracing paper · 1968
Art Institute of Chicago
Stencils for Fourteenth Stone
Lee Bontecou
Graphite, with red chalk, on ivory wove paper · 1968
Art Institute of Chicago
A la pintura: White 14-15
Robert Motherwell
Black chalk on plate embossed white wove paper · 1968
Art Institute of Chicago
Perspective
Jiro Takamatsu
Colored chalk on colored paper · 1968
Museum of Modern Art
Perspective
Jiro Takamatsu
Colored chalk on colored paper · 1968
Museum of Modern Art
Tierlidl
Jörg Immendorff
Chalk and blackboard paint on wood · 1968
Museum of Modern Art
Die Lidlstadt nimmt Gestalt an
Jörg Immendorff
Chalk and blackboard paint on wood · 1968
Museum of Modern Art
Imagine the Enclosed Area Blue (Study for Installation, Yale, Norfolk)
Mel Bochner
Blue carpenter's chalk and ink on graph paper · 1968
Museum of Modern Art
Untitled
Blinky Palermo
Oil, black chalk, and pencil on canvas · 1968
Museum of Modern Art
Study for Woodcut
Georg Baselitz
Graphite and chalk on paper · 1967
Tate
Study for Plate IV, from Fifth Stone, Sixth Stone
Lee Bontecou
Graphite (recto); red chalk (verso) on tracing paper · 1967
Art Institute of Chicago
Untitled
Theodore Halkin
Colored pencil, colored chalk, and black felt-tip pen on cream wove paper · 1967
Art Institute of Chicago
Untitled
Theodore Halkin
Colored pencil and colored chalk with graphite and carbon transfer on cream wove paper · 1967
Art Institute of Chicago
Study for Cover, from Fifth Stone, Sixth Stone
Lee Bontecou
Graphite, with red chalk (recto); red chalk (verso), on tracing paper · 1967
Art Institute of Chicago