Database / Artworks
Artworks
B
Baoshi Hill in the Ancient Style, No. 1
Shanchun Yan
Album of sixteen copperplate etchings · 2018
The Metropolitan Museum of Art
Copper plate for White Ermine
Sarah Gillespie
Plate · 2018
Victoria and Albert Museum
L
Land of Plenty
Chuck Webster
Stone lithograph and carborundum aquatint from three plates in 10 colors · 2018
The Metropolitan Museum of Art
R
Resurrection Story with Patrons
Kara Walker
Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper · 2017
The Metropolitan Museum of Art
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 1 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and gold plate · 2017
Art Institute of Chicago
R
Resurrection Story with Patrons
Kara Walker
Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper · 2017
The Metropolitan Museum of Art
S
Steel-backed photopolymer printing plate used for the making of the broadside The Antinomian Press: Sometimes you must close a door to enter another room. Sebastopol: The Antinomian Press, 22 March 2016
Ben Kinmont
Steel-baked photopolymer printing plate · 2016
Museum of Modern Art
P
Polymer printing plate used for the making of the broadside An Imaginary Customer. [Berkeley: Antinomian Press, 2016] preserved in a cream-colored archival envelope
Ben Kinmont
Polymer printing plate in an archival envelope · 2016
Museum of Modern Art
Blaise Cendrars: Gedichte I
Martin Assig
Artist's book and bookplate with stamped and colored ink · 2016
Museum of Modern Art
Menschheitsdämmerung
Franz Erhard Walther
Artist's book with digitally printed bookplate · 2016
Museum of Modern Art
T
Two steel-backed photopolymer printing plates used to print the wrappers for Open by chance & appointment. Sebastopol: [Antinomian Press], 2015
Ben Kinmont
Two steel-backed photopolymer printing plates · 2015
Museum of Modern Art
S
Steel-backed photopolymer printing plate used to make the broadside Ben Kinmont, Bookseller antiquarian gastronomy. [Sebastopol: Antinomian Press], 28 March 2015
Ben Kinmont
Steel-backed photopolymer printing plate · 2015
Museum of Modern Art
T
Two steel-backed photopolymer printing plates used to make the broadside An exhibition in your mouth. [Sebastopol]: Antinomian Press, 20 August 2015
Ben Kinmont
Two steel-backed photopolymer printing plates · 2015
Museum of Modern Art
Moby Dick
Peter Buggenhout
Artist's book with offset bookplate · 2015
Museum of Modern Art
De Legende van Sint Julianus
Berlinde De Bruyckere
Artist's book with digitally printed bookplate · 2015
Museum of Modern Art
Shameplex
Anicka Yi
Plexiglass, nickel-plated straight pins, ultrasonic gel, and LED strips, 7 boxes · 2015
Museum of Modern Art
Dick Bengtsson
Mamma Andersson
Artist's book with digitally printed bookplate · 2015
Museum of Modern Art
Be Bold with Bananas
Martin Parr
Artist's book with digitally printed bookplate · 2015
Museum of Modern Art