Database / Artworks
Artworks
Wozzeck
Jan Lenica
Offset lithograph · 1914
Museum of Modern Art
Fight Against Hunger and War! Elect Thälmann! (Kämpf gegen Hunger und Krieg! Wählt Thälmann!)
John Heartfield
Color offset lithograph on ivory wove paper, laid down on ivory laid paper · 1911
Art Institute of Chicago
In the East, 160 Million March Joyfully into the Future (160 millionen im osten schreiten froh in die Zukunft!)
John Heartfield
Color offset lithograph on cream wove paper, laid down on coated cream wove paper, lined with canvas · 1911
Art Institute of Chicago
Woman with a Basket
Leon Kroll
Charcoal, with traces of red chalk offset, on cream wove paper · 1904
Art Institute of Chicago
Sketches for a Natural History (Histoires naturelles) (recto); Rooster (verso)
Pierre Bonnard
Brush and black ink with red pastel (recto), and brush and black ink (verso), offset on cream wove paper · 1899
Art Institute of Chicago
Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso) · 1899
Art Institute of Chicago
Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso) · 1899
Art Institute of Chicago
Change of Residence, from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso) · 1899
Art Institute of Chicago
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink, with yellow ocher ink offset, on thin ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso) · 1898
Art Institute of Chicago
![Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)](/api/images/artworks/aic/113796.jpg)
Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)
Paul Gauguin
Graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Tahitian Residence with Color Notations and Dogs
Paul Gauguin
Black fabricated chalk, with black fabricated chalk offset, on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso)
Paul Gauguin
Black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Two Figures (related to the painting Tahitian Landscape)
Paul Gauguin
Black chalk, with touches of watercolor and watercolor offset on cream wove paper · 1891
Art Institute of Chicago
Advertisement for V.O.N.K. Leiden [Verkoop Organisatie voor Natuur-en Kunsteen
Piet Zwart
Offset lithograph printed advertisement · 1885
Art Institute of Chicago
Advertisement for Metz & Co. (”Sunfirm”): “Meubelstaffen Tapijten Meubelen”
Piet Zwart
Offset lithograph · 1885
Art Institute of Chicago
The Little Abbot Reading the Ramayana
Odilon Redon
Charcoal with black chalk, stumping, scraping and erasing, on dark cream wove paper, discolored to tan. Ruled in pale red-orange pastel. Offset impression of Tadpole, verso. · 1883
Art Institute of Chicago
Woman Seen From Behind
Aristide Joseph-Bonaventure Maillol
Red chalk offset on cream laid paper · 1881
Art Institute of Chicago
Drawing for "Standing Nude"
Mary Cassatt
Graphite on buff wove paper, traced over for soft ground etching with offset of soft ground on verso, showing through · 1879
Art Institute of Chicago
Map of Friedrich Krupp Cast Steel Works, Essen
Hugo van Werden
Offset lithograph · 1872
Museum of Modern Art
Reminiscences of Outdoor Life
Kent Williams
Offset lithograph · 1865
Art Institute of Chicago
The Corner of the Sofa
Mary Cassatt
Graphite and strike-through from soft ground offset, on paper · 1864
Art Institute of Chicago
Madonna and Child
Carlo Maratti
Offset brown ink on ivory laid paper · 1565
Art Institute of Chicago
Madonna and Child
Carlo Maratti
Offset brown ink on ivory laid paper · 1565
Art Institute of Chicago
The Battle of Saint James at Clavijo
Martin Schongauer
engraving on laid paper (with offset of same composition on verso) · 1470
National Gallery of Art