Database / Artworks
Artworks
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) · 1480
The Metropolitan Museum of Art
A Kneeling Angel
Fra Bartolommeo
pen and brown ink heightened with white over metalpoint on gray-blue prepared paper · 1472
National Gallery of Art
The Virgin and Child Surrounded by Saints and Angels
Fra Bartolommeo
pen and brown ink heightened with white lead over metalpoint underdrawing on prepared pink paper · 1472
National Gallery of Art
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1458
Cleveland Museum of Art
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1458
Cleveland Museum of Art
Studies of Saint John the Baptist
Rogier van der Weyden
Metalpoint on gray prepared paper · 1455
The Metropolitan Museum of Art
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown wash, brush and brown wash, and stylus, heightened with white gouache · 1453
Cleveland Museum of Art
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown wash, brush and brown wash, and stylus, heightened with white gouache · 1453
Cleveland Museum of Art
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown wash, brush and brown wash, and stylus, heightened with white gouache · 1453
Cleveland Museum of Art
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Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
Metalpoint, black chalk on white prepared paper · 1446
The Metropolitan Museum of Art
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
Metalpoint, black chalk on white prepared paper · 1446
The Metropolitan Museum of Art
Bust of a Young Man in Profile
Giovanni Badile
Metalpoint on cream laid paper, prepared with grayish white ground over red chalk wash ground, laid down on blue wove paper · 1430
Art Institute of Chicago
Head of Saint John the Baptist
Francesco Marmitta
metalpoint · 1401
National Gallery of Art