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Artworks

1,789 records · Japanese paper
The Theater in the Rock, Oya I, Section
The Theater in the Rock, Oya I, Section
Tadao Ando
Screenprint on Niahinouchi (Japanese paper) · 1998
Art Institute of Chicago
Fabrica (Benetton Research Center), Treviso, Italy, Section and Elevation
Fabrica (Benetton Research Center), Treviso, Italy, Section and Elevation
Tadao Ando
Screenprint on Nishinouchi (Japanese paper) · 1998
Art Institute of Chicago
The Theater in the Rock, Oya II, Site Plan
The Theater in the Rock, Oya II, Site Plan
Tadao Ando
Screenprint on Nishinouchi (Japanese paper) · 1998
Art Institute of Chicago
Oyamazaki Villa Museum, Kyoto, Japan, Section and Elevation
Oyamazaki Villa Museum, Kyoto, Japan, Section and Elevation
Tadao Ando
Screenprint on Nishinouchi (Japanese paper) · 1998
Art Institute of Chicago
Work Data Sheet
Work Data Sheet
Tadao Ando
Screenpring on Nishinouchi (Japanese paper) · 1998
Art Institute of Chicago
Row House, Sumiyoshi, Japan, Plan and Interior Perspective
Row House, Sumiyoshi, Japan, Plan and Interior Perspective
Tadao Ando
Screenprint on Nishinouchi (Japanese paper) · 1998
Art Institute of Chicago
r
red strokes
Suzan Frecon
Watercolor on Japanese paper · 1998
Museum of Modern Art
Ground Cover-Winter
Ground Cover-Winter
Julia Fish
Lithograph on black Japanese paper · 1997
Art Institute of Chicago
Untitled (holiday card)
Untitled (holiday card)
Robert Mangold
Linocut in green on ivory Japanese paper · 1997
Art Institute of Chicago
Blackbird
Blackbird
Jill Baroff
Graphite on cut-and-pasted Japanese paper on paper · 1997
Museum of Modern Art
Lo Lo
Lo Lo
Tony Fitzpatrick
Color etching with aquatint on cream Japanese paper, laid down on white wove paper (chine collé) · 1996
Art Institute of Chicago
Fetish
Fetish
Jane Hammond
Transfer drawing with cut-and-pasted printed paper, gouache, and synthetic polymer paint on Japanese paper · 1996
Museum of Modern Art
Untitled (holiday card)
Untitled (holiday card)
Robert Mangold
Color linocut, with watercolor and traces of graphite, on ivory Japanese paper · 1994
Art Institute of Chicago
Mixed Message
Mixed Message
John Himmelfarb
Acrylic and black ink and graphite, with blue oil marker, on ivory Japanese paper · 1994
Art Institute of Chicago
Untitled (Hands)
Untitled (Hands)
Kiki Smith
Gouache and watercolor on silver-leafed Japanese paper · 1994
Museum of Modern Art
Maximizing, from Sum Daze
Maximizing, from Sum Daze
Gladys Nilsson
Etching on tan Japanese paper, laid down on white wove paper (chine collé) · 1993
Art Institute of Chicago
Untitled
Untitled
Jim Lutes
Brush and black ink on cream Japanese paper · 1993
Art Institute of Chicago
My Snake Bit Heart
My Snake Bit Heart
Tony Fitzpatrick
Color etching on cream Japanese paper, laid down on white wove paper (chine collé) · 1993
Art Institute of Chicago
Double Blind
Double Blind
Jane Hammond
Collage composed of color photocopies and linocuts, with solvent-transfered color-photo-copied images, graphite and crayon frottage from linocuts, gouache and acrylic paint, on pieced cream Japanese paper · 1993
Art Institute of Chicago
Untitled
Untitled
Duane Zaloudek
White-ground etching on ivory Japanese paper, laid down on white wove paper (chine collé) · 1993
Art Institute of Chicago
Dish Jockey, from Sum Daze
Dish Jockey, from Sum Daze
Gladys Nilsson
Etching on tan Japanese paper, laid down on white wove paper (chine collé) · 1993
Art Institute of Chicago
Hat Pins, from Sum Daze
Hat Pins, from Sum Daze
Gladys Nilsson
Etching, soft ground etching, and roulette on tan Japanese paper, laid down on white wove paper (chine collé) · 1993
Art Institute of Chicago
Maximizing, from Sum Daze
Maximizing, from Sum Daze
Gladys Nilsson
Etching on tan Japanese paper, laid down on white wove paper (chine collé) · 1993
Art Institute of Chicago
Untitled
Untitled
Jasper Johns
Color etching and aquatint from seven copper plates on off-white Japanese paper · 1992
Art Institute of Chicago
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