Database / Artworks
Artworks

The Daughters of Pandarus
John Flaxman
Charcoal and graphite, heightened with white chalk, on cream wove paper prepared with a pale brown wash · 1805
Art Institute of Chicago
S
Saint Holding Scroll
William Westall
Watercolor over graphite, heightened with white gouache and gum varnish, on cream wove paper, laid down on board · 1801
Art Institute of Chicago

Port of the Alhambra from the Dario
Richard Ford
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago

Port of the Alhambra from the Dario
Richard
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago

Port of the Alhambra from the Dario
Richard
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago

Loch Lomond
Stuart Haygarth
Brush and brown wash, over graphite, heightened with white chalk, on tan wove paper · 1800
Art Institute of Chicago

Port of the Alhambra from the Dario
Richard Ford
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago

Bank of a River with Mill
William Turner
Graphite, heightened with white chalk, on blue laid paper · 1798
Art Institute of Chicago

Stockade Near Shore
John Varley
Charcoal and graphite, heightened with white chalk, on blue wove paper · 1798
Art Institute of Chicago

Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus
Anne-Louis Girodet de Roussy-Trioson
Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper · 1796
Art Institute of Chicago

Thirius de Pautrizel
Jacques-Louis David
pen and gray ink with gray wash and pale brown wash (on the face) over touches of graphite, heightened with white gouache on laid paper, laid down on an old circular mount · 1795
National Gallery of Art
Classical Landscape
Pierre Henri
black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache · 1779
Cleveland Museum of Art
Classical Landscape
Pierre Henri
black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache · 1779
Cleveland Museum of Art

Birth of the Virgin
Giuseppe Cades
Pen and brown ink with pen and brown wash, over traces of graphite, heightened with white gouache (discolored), on ivory laid paper · 1779
Art Institute of Chicago

Design for a Funeral Monument
François Boucher
black chalk and stumping with touches of graphite, heightened with white, on brown laid paper · 1767
National Gallery of Art

A Mythological Scene with Sea Gods
Giuseppe Bernardino Bison
brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper · 1762
National Gallery of Art

Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago

Woman at Spinet
Angelica Kauffman
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago

Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago

Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago

Study of Valet with Coffee Pot
François Boucher, French
Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper · 1734
Art Institute of Chicago

Study of Valet with Coffee Pot
François Boucher
Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper · 1734
Art Institute of Chicago

The Rest on the Flight into Egypt
Claude Lorrain
pen and brown ink with gray and blue wash and graphite, heightened with white gouache on blue laid paper · 1682
National Gallery of Art

The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri (Rome, 1634 – Rome, 1689)
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago