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Artworks
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George Condo
Hardground etching with drypoint on Hahnemuhle Copperplate Bright White paper · 2020
The Metropolitan Museum of Art
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A Midwinter's Daydream
George Condo
Hardground etching with drypoint on Hahnemuhle Copperplate Bright White paper · 2020
The Metropolitan Museum of Art
Untitled
Christopher Wool
Etching with drypoint · 2016
Museum of Modern Art
Untitled
Christopher Wool
Etching with drypoint · 2014
Museum of Modern Art
Untitled II
Martin Puryear
Hardground etching with drypoint and spit-bite aquatint on cream Japanese paper, laid down on white wove paper (chine collé) · 2002
Art Institute of Chicago
Untitled
Martin Puryear
Etching with drypoint and chine collé · 2001
Museum of Modern Art
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Scenes from the Future: Museum of Modern Art
Vitaly Komar
Etching with drypoint · 1990
Museum of Modern Art
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Scenes from the Future: Guggenheim Museum
Vitaly Komar
Etching with drypoint · 1990
Museum of Modern Art
Untitled
Richard Stankiewicz
Open bite etching and relief etching with drypoint in black ink on rayon · 1964
Art Institute of Chicago
Park Bench
Isabel Bishop
Etching with drypoint and aquatint in black on cream wove paper · 1946
Art Institute of Chicago
The Dog, from Histoire naturelle
Pablo Picasso
Aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper · 1936
Art Institute of Chicago
The Vulture, from Histoire naturelle
Pablo Picasso
Aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper · 1936
Art Institute of Chicago
The Lobster, from Histoire naturelle
Pablo Picasso
Aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper · 1936
Art Institute of Chicago
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GRAPE HARVESTING AT SAINT TROPEZ ON SAINT ANNE HILL (plate; volume I, page 3) from LES GÉORGIQUES (GEORGICA)
André Dunoyer de Segonzac
Etching with drypoint, printed in black · 1933
Museum of Modern Art
Hopi Corral with Passing Storm
Mahonri Mackintosh Young
Etching with drypoint in black on cream laid paper · 1932
Art Institute of Chicago
Sketch on Apache Trail, Arizona
George Elbert Burr
etching with drypoint in brown on laid paper · 1924
National Gallery of Art
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The Three Windmills
Dirk Baksteen
etching with drypoint and surface tone · 1921
Cleveland Museum of Art
![Death Visits the Strucks (Death and the Couple) (Tod bei Strucks [Tod und Paar]) from Dance of Death (Totentanz)](https://api.nga.gov/iiif/1fb778f1-a14f-48a9-98e1-496ad2ab3b9b/full/!800,800/0/default.jpg)
Death Visits the Strucks (Death and the Couple) (Tod bei Strucks [Tod und Paar]) from Dance of Death (Totentanz)
Lovis Corinth
softground etching with drypoint from a portfolio of five softground etchings on wove paper · 1921
National Gallery of Art
Death and the Artist (Tod und Künstler) from Dance of Death (Totentanz)
Lovis Corinth
softground and hardground etching with drypoint from a portfolio of five softground etchings on wove paper · 1921
National Gallery of Art
Road to Paradise Valley, Arizona
George Elbert Burr
etching with drypoint in brown on laid paper · 1921
National Gallery of Art
Nascaupée Indian
Frank Weston Benson
Etching with drypoint on cream laid paper · 1921
Art Institute of Chicago
Women at a Table in a Room
Ernst Ludwig Kirchner
etching with drypoint and surface etching · 1920
National Gallery of Art
Kingdom of the Sun
Arthur B. Davies
softground etching with drypoint and aquatint · 1919
National Gallery of Art
Woolworth from the River
John Marin
Etching with drypoint, selectively wiped, on ivory Japanese paper · 1917
Art Institute of Chicago