Artworks

Maya

Cotton and wool; plain weave formed by pairing warps and wefts; with supplementary patterning and brocading wefts · 1930

Maya

Cotton and wool; stripes of warp-faced plain weave alternate with stripes of plain weave derived simple float weave; warp fringe · 1930

Maya

Cotton and wool, plain and twill slit tapestry weave with eccentric wefts; cotton, tassels and fringe · 1930

Maria Likarz-Strauss

Cotton and wool, plain weave with three-color supplementary pile warps forming uncut solid velvet · 1927

Franz von Zülow

Cotton and wool, plain weave with plain interlacings of secondary binding warps and complementary ground wefts; woven on loom with Jacquard attachment · 1927

Mru Chin

Cotton, warp striped, warp-faced, weft ribbed plain weave with supplementary patterning wefts; embellished with discontinuous supplementary wrapping elements; ends embroidered with cotton and wool in buttonhole stitches; couching; selvage fringe of cotton with glass beads; and end fringe of cotton and glass beads, knotted around wool · 1925

Fulani

Bands of cotton and wool, weft-faced, warp-ribbed plain weave, plain weave with paired warp, plain weave with supplementary brocading wefts, plain weave with supplementary patterning wefts and bands of slit tapestry weave · 1925

Bauhaus Workshop

Cotton and wool, bands of plain weave self-patterned by ground weft floats · 1924

Ilonka Karasz

Cotton and wool · 1923

Mru Chin

Outer panels: cotton, warp-faced, weft-ribbed plain weave with supplementary patterning wefts; embellished with discontinuous supplementary wrapping elements; ends embroidered with cotton and wool in buttonhole stitches; couching; center panel: cotton and silk, warp-faced, weft-ribbed plain weave with supplementary patterning and brocading wefts; seam embroidered with cotton and wool in scroll stitches; couching · 1920

Mrs. Howard C. Blake

Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed · 1918

George Grant Elmslie

Linen, cotton and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1907

Josef Hoffmann

Cotton and wool, three-color complementary weft plain weave with inner warps · 1904

Khumi Chin

Cotton, plain weave with supplementary patterning and brocading wefts; embroidered with cotton and wool in double running and looping stitches; edges embellished with cotton, glass and wood or seed bead fringe terminating in silk tassels · 1901

Maya

Cotton and wool, stripes of plain weave and plain weave derived float weave with brocading wefts; plaited warp fringe · 1901

Maya

Cotton, warp ikat, plain weave; embroidered with cotton and wool in chain and surface satin stitches · 1901

Richard Riemerschmid

Cotton and wool, plain weave with three-color supplementary pile warps forming uncut solid velvet · 1901

Adelbert Niemeyer

Cotton and wool, double-faced plain weave self-patterned by two-color complementary ground wefts · 1901

Adelbert Niemeyer

Cotton and wool, plain weave with two-color supplementary pile warps forming cut solid velvet · 1901

Maya

Cotton and wool, plain weave derived float weave · 1901

Quechua

Wool (camelid); stripes of warp-faced plain weave, plain weave with paired warps and supplementary warp patterning; applied cotton and wool (camelid), braided trims; glass buttons; two panels joined in figure eight stitch; wool (camelid) knitted binding edge · 1900

Maya

Cotton and wool, plain weave; embroidered with silk in chain and satin stitches; warp fringe · 1900

Maya

Cotton and wool, plain weave with patterning wefts · 1900

Josef Hoffmann

Cotton and wool, plain weave with multi-color supplementary pile warps forming cut solid velvet · 1895