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Artworks

283 records · Colored lithograph
Mah-to-toh-pa
Mah-to-toh-pa
John M. McGahey
Hand-colored lithograph with tintstone · 1844
National Portrait Gallery
Townsend's Ground Squirrel
Townsend's Ground Squirrel
John T. Bowen
hand-colored lithograph on paper · 1843
Smithsonian American Art Museum
Telemaque Rendu a la Vertu
Telemaque Rendu a la Vertu
Honore Daumier, French
figures, print — hand-colored lithograph · 1842
Cooper Hewitt, Smithsonian Design Museum
Le Retour d'Ulysse, plate 7 from the Histoire Ancienne
Le Retour d'Ulysse, plate 7 from the Histoire Ancienne
Honore Daumier, French
print — hand colored lithograph in black and sienna inks on white paper · 1842
Cooper Hewitt, Smithsonian Design Museum
Marius a Minturnes, plate 21 from the HIstoire Ancienne
Marius a Minturnes, plate 21 from the HIstoire Ancienne
Honore Daumier, French
print — hand colored lithograph on paper · 1842
Cooper Hewitt, Smithsonian Design Museum
La Bapteme d'Achille, plate 22 from the Histoire Ancienne
La Bapteme d'Achille, plate 22 from the Histoire Ancienne
Honore Daumier, French
print — hand colored lithograph on paper · 1842
Cooper Hewitt, Smithsonian Design Museum
Telemaque et Mentor, plate 29 from the Histoire Ancienne
Telemaque et Mentor, plate 29 from the Histoire Ancienne
Honore Daumier, French
print — hand colored lithograph on paper · 1842
Cooper Hewitt, Smithsonian Design Museum
La Mere des Gracques, plate 46 from the Histoire Ancienne
La Mere des Gracques, plate 46 from the Histoire Ancienne
Honore Daumier, French
print — hand colored lithograph on paper · 1842
Cooper Hewitt, Smithsonian Design Museum
Jeunesse d'Alcibiade, plate 19 from the HIstoire Ancienne
Jeunesse d'Alcibiade, plate 19 from the HIstoire Ancienne
Honore Daumier, French
print — hand colored lithograph on paper · 1842
Cooper Hewitt, Smithsonian Design Museum
Jésus! Il vient de me passer une bête...
Jésus! Il vient de me passer une bête...
Paul Gavarni
hand-colored lithograph on wove paper · 1842
National Gallery of Art
Le Futur monument de Napoléon aux Invalides
Le Futur monument de Napoléon aux Invalides
Honoré Daumier
hand-colored lithograph · 1842
National Gallery of Art
Les Journaux bienfaisans
Les Journaux bienfaisans
Honoré Daumier
hand-colored lithograph · 1842
National Gallery of Art
The Strand, plate 21 from Original Views of London as It Is
The Strand, plate 21 from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
Board of Trade, Whitehall, from Downing Street, plate eight from Original Views of London as It Is
Board of Trade, Whitehall, from Downing Street, plate eight from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
St. James Palace, plate ten from Original Views of London as It Is
St. James Palace, plate ten from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
Hyde Park Corner, plate fifteen from Original Views of London as It Is
Hyde Park Corner, plate fifteen from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
Temple Bar from The Strand, plate 22 from Original Views of London as It Is
Temple Bar from The Strand, plate 22 from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
Buckingham Palace from St.James Park, plate eleven from Original Views of London as It Is
Buckingham Palace from St.James Park, plate eleven from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
St. Paul's from Ludgate Hill, plate 24 from Original Views of London as It Is
St. Paul's from Ludgate Hill, plate 24 from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
Blackfriars, from Southwark Bridge, plate six from Original Views of London as It Is
Blackfriars, from Southwark Bridge, plate six from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
Westminster Abbey, Hospital and Company, plate seven from Original Views of London as It Is
Westminster Abbey, Hospital and Company, plate seven from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
The Guildhall, plate 25 from Original Views of London as It Is
The Guildhall, plate 25 from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
The Tower and Mint from Great Tower Hill, plate two from Original Views of London as It Is
The Tower and Mint from Great Tower Hill, plate two from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
London Bridge, from Southwark Bridge, plate four from Original Views of London as It Is
London Bridge, from Southwark Bridge, plate four from Original Views of London as It Is
Thomas Shotter Boys
Hand-colored lithograph on paper · 1842
Art Institute of Chicago
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