Database / Artworks
Artworks
American Farm Scenes. no. 1.
Frances Flora Bond Palmer
hand-colored lithograph on paper · 1853
Smithsonian American Art Museum
Mac
Nathaniel Currier
hand-colored lithograph on paper · 1853
Smithsonian American Art Museum
Burning of the Henry Clay Near Yonkers–While on Her Trip From Albany to New York on Wednesday Afternoon July 28th, 1852.–The rapid spread of the flames forced the passengers into the water. Mothers and children, husbands and wives, brothers and sisters were drowned together, whilst trying to save each other. Little children buffetted the waves in vain for a few moments, and then sunk to rise no more. Persons on board about 500 of which number nearly 100 are supposed to have perished.
Nathaniel Currier
Hand-colored lithograph · 1852
The Metropolitan Museum of Art
The Emigration of Daniel Boone with His Family
Claude Regnier
Hand-colored lithograph in black and brown, with selective glazing, on ivory wove paper · 1852
Art Institute of Chicago
The Emigration of Daniel Boone with His Family
Claude Regnier
Hand-colored lithograph in black and brown, with selective glazing, on ivory wove paper · 1852
Art Institute of Chicago
Stamboul
Louis Maurer
hand-colored lithograph on paper · 1852
Smithsonian American Art Museum
Morning in the Woods
Frances Flora Bond Palmer
hand-colored lithograph on paper · 1852
Smithsonian American Art Museum
The Clipper Yacht "America," Winner of the Royal Yacht Squadron Cup, Value £100 in the Great Match for All Nations at Cowes, August 22nd, and of a Match with the Titania for £100, August 28, 1851
Nathaniel Currier
Hand-colored lithograph · 1851
The Metropolitan Museum of Art
The Clipper Yacht "America" – Built by Mr. George Steers of New York for John C. Stevens, Esq. and Associates of the New York Yacht Club
Frances Flora Bond Palmer
Hand-colored lithograph · 1851
The Metropolitan Museum of Art
Daniel D. Tompkins and Blanc Negre
Nathaniel Currier
hand-colored lithograph on paper · 1851
Smithsonian American Art Museum
The Nap, from The Mysteries of the Woods
Joseph Félon
Hand-colored lithograph on paper · 1850
Art Institute of Chicago
Grey Eagle
Nathaniel Currier
hand-colored lithograph on paper · 1850
Smithsonian American Art Museum
Lady Suffolk and Lady Moscow
Nathaniel Currier
hand-colored lithograph on paper · 1850
Smithsonian American Art Museum
Rustic Road
William Newton Bartholomew
Hand-colored lithograph on cream wove paper · 1849
Art Institute of Chicago
Cervus Virginianus
John Woodhouse Audubon
Hand-colored lithograph on wove paper · 1848
Art Institute of Chicago
All Right!
Nathaniel Currier
Hand-colored lithograph · 1846
The Metropolitan Museum of Art
Robert Burns and His Highland Mary
Nathaniel Currier
Hand-colored lithograph · 1846
The Metropolitan Museum of Art
Church of the Saviour (First Unitarian Congregational), Brooklyn
Ezra
Hand colored lithograph · 1845
The Metropolitan Museum of Art
Washington's Reception by the Ladies
Nathaniel Currier
hand-colored lithograph · 1845
Smithsonian American Art Museum
Mose, Lize & Little Mose Going to California
Henry R. Robinson
Hand-colored lithograph · 1844
The Metropolitan Museum of Art
North American Indians
George Catlin
Hand-colored lithograph in black and brown, with opaque white watercolor, on ivory wove paper · 1844
Art Institute of Chicago
North American Indians
George Catlin
Hand-colored lithograph in black and brown, with opaque white watercolor, on ivory wove paper · 1844
Art Institute of Chicago
North American Indians
George Catlin
Hand-colored lithograph in black and brown, with opaque white watercolor, on ivory wove paper · 1844
Art Institute of Chicago
North American Indians
George Catlin
Hand-colored lithograph in black and brown, with opaque white watercolor, on ivory wove paper · 1844
Art Institute of Chicago