Database / Artworks
Artworks
Te atua (The God) from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper · 1893
Art Institute of Chicago
Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory Japanese paper, laid down on cream wove card · 1893
Art Institute of Chicago
L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893
Art Institute of Chicago
Noa Noa (Fragrant), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card · 1893
Art Institute of Chicago
Woman Washing Her Left Leg
Edgar Degas
beeswax, metal armature, ceramic, on wooden base · 1890
National Gallery of Art
Dancer Putting on Her Stocking
Edgar Degas
pigmented beeswax, metal armature, cork, on wooden base · 1890
National Gallery of Art
Woman Washing Her Left Leg
Edgar Degas
pigmented beeswax, metal armature, on wooden base · 1890
National Gallery of Art
Dancer Looking at the Sole of Her Right Foot
Edgar Degas
pigmented beeswax, metal armature, cork, on wooden base · 1890
National Gallery of Art
Jockey with Cap
Edgar Degas
pigmented beeswax, metal armature, cloth, paper · 1890
National Gallery of Art
Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground
Edgar Degas
pigmented beeswax, metal armature, wool, cork, on wooden base · 1890
National Gallery of Art
Woman Seated, Wiping Her Left Hip
Edgar Degas
pigmented beeswax, shredded fabric, metal lid, wood, rope, cork, on wooden base · 1890
National Gallery of Art
Woman Seated in an Armchair, Wiping Her Left Armpit
Edgar Degas
pigmented beeswax, plastiline, metal armature, cork, wood, on wooden base · 1890
National Gallery of Art
Woman Seated, Wiping Her Left Side
Edgar Degas
pigmented beeswax, plastiline, metal armature, wood, cork, on wooden base · 1890
National Gallery of Art
The Tub
Edgar Degas
pigmented beeswax, plastiline, plaster, lead, wood, cloth, cork, wire, on wooden base · 1889
National Gallery of Art
Woman Arranging Her Hair
Edgar Degas
pigmented beeswax, clay, metal armature, cork, on wooden base · 1885
National Gallery of Art
Grande Arabesque, Third Time (First Arabesque Penchée)
Edgar Degas
pigmented beeswax, clay, metal armature, cork, on wooden base · 1885
National Gallery of Art
Arabesque over the Right Leg, Right Hand near the Ground, Left Arm Outstretched (First Arabesque Penchée)
Edgar Degas
pigmented beeswax, plastiline, metal armature, cork, on wooden base · 1885
National Gallery of Art
Fourth Position Front, on the Left Leg
Edgar Degas
pigmented beeswax, metal armature, cork, on wooden base · 1885
National Gallery of Art
Arabesque over the Right Leg, Left Arm in Front
Edgar Degas
pigmented beeswax, metal armature, on wooden base and supported by exterior metal frame · 1885
National Gallery of Art
Grande Arabesque, First Time (Arabesque à terre)
Edgar Degas
pigmented beeswax, metal armature, wood slivers, cork, on wooden base · 1885
National Gallery of Art
Grande Arabesque, Second Time (Arabesque on the Right)
Edgar Degas
pigmented beeswax, plastiline, metal armature, wood, cork, on wooden base · 1885
National Gallery of Art
Dancer Moving Forward, Arms Raised
Edgar Degas
pigmented beeswax, unidentified clay, metal armature, on wooden base · 1885
National Gallery of Art
Dancer Bowing (The Curtain Call)
Edgar Degas
pigmented beeswax, metal armature, on wooden base · 1885
National Gallery of Art
Dancer Fastening the String of Her Tights
Edgar Degas
pigmented beeswax, plastiline, metal armature, cork, on wooden base · 1885
National Gallery of Art