Artworks

Robert Gober

Beeswax, marker on Vellum, tobacco, paper, acrylic paint, linoleum block print with ink · 1979

Brice Marden

Pencil and beeswax on paper · 1978

Brice Marden

Oil and beeswax on canvas, four panels · 1976

Brice Marden

Pencil and beeswax on paper · 1972

Brice Marden

Pencil and beeswax on paper · 1972

Brice Marden

Pencil and beeswax on paper · 1972

Brice Marden

Pencil and beeswax on paper · 1972

Brice Marden

Pencil and beeswax on paper · 1972

Brice Marden

Pencil and beeswax on paper · 1972

Joseph Beuys

Multiple of cloth-covered box with stamp additions, containing ten photographs, film, and glass bottle with gelatin and beeswax · 1971

Brice Marden

Pencil and beeswax on paper · 1970

Brice Marden

Pencil and beeswax on paper · 1969

Brice Marden

Pencil and beeswax on paper · 1969

Mario Merz

Brush-wood, beeswax and steel · 1968

Lynda Benglis

Purified and pigmented beeswax, damar resin, and gesso on masonite · 1967

Joseph Beuys

Glass, wood, and metal display case containing (left to right): Machine Aggregate (Maschinenaggregat), 1964: poppies, pine needles, machine parts, beeswax plate, shards of mirror, and fat in white tin can; Substances (Substanzen), 1977: eleven samples from Unschlitt/Tallow, 1977, and plastic box with fat; Plastic/Medicinal (Zinc Salve) Containing Blood Sausage (Plastik/Medizinisch [Zinksalbe] behandelte Blutwurst), 1964: blood sausage and zinc salve; Aus dem Maschineneraum (From the Machine Room), 1977-78: multiple of printed paper and can, and glass jar containing fat; Gelatin Wedge/Programmed (Gelatinekeil/Programmiert), 1969: gelatin, chocolate, and paper; Untitled (Beuys Brew) (Ohne Titel [Beuysbräu]), 1970: bottle carrier, eighteen "Dötze bottles," gelatin, glass, and oil paint; Untitled (Ohne Titel), 1973: grass plant (grass flower) and fat; Untitled (Proof for special edition of the magazine Interfunktionen, 61) (Ohne Titel [Klischee für Vorzugsausgabe der Zeitschrift Interfunktionen, Heft 61]), 1961: metal plate and oil paint · 1964

Paul Thek

Beeswax, plexiglas and metal · 1964

Edgar Degas

pigmented beeswax, plastiline, metal armature, on wooden base · 1900

Edgar Degas

pigmented beeswax, metal armature, wood?, cork, on wooden base · 1900

Edgar Degas

pigmented beeswax, metal armature, on wooden base · 1896

Edgar Degas

pigmented beeswax, plastiline, metal armature, cork, on wooden base · 1896

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream Japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]) · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper · 1893