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Artworks

Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Poggi
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Poggi
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Marc Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Marc Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Maklouf
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Four Accomplishments (Kinkishoga 琴棋書画図)
Kanô Tsunenobu
Ink and colors on silk · 1700
Art Institute of Chicago

Assumption (recto) Portrait Heads, various Sketches (verso)
Guido Canlassi
Red chalk with brush and brown and gray wash (recto). Graphite with brush and gray green and brown wash (verso) on ivory laid paper, tipped onto cream laid paper · 1700
Art Institute of Chicago

Cattle in Water
Aelbert Cuyp
Graphite and brush and brown wash on blue laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Kirchner
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Kirchner
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Denis
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphaelle Emery
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphaelle Emery
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Shammaa
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Holy Family and Saint John the Baptist
Giovanni Antonio Burrini
Brush and brown and gray wash over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Durans
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael, Italian
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Adjetey Adjei Mayne
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Denis
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago

Sketches of Four Draped Female Figures (for Pendentives)
Pierre Subleyras
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Mother and Three Children
Jacopo Amigoni
Brush and gray ink, with wash and traces of black chalk, on ivory laid paper, laid down on ivory laid card · 1700
Art Institute of Chicago