Database / Artworks
Artworks
Venus and Adonis
Titian
Oil on canvas · 1550
The Metropolitan Museum of Art
Ornamental Design with a Bat in the Center
Heinrich Aldegrever
Engraving · 1550
The Metropolitan Museum of Art
Pope Julius III (r. 1550–55)
Gian Federigo Bonzagna
Bronze · 1550
The Metropolitan Museum of Art
Studies for a Crucifixion
Alessandro Casolani
Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
Pen and brown ink, brown wash, over traces of red and black chalk · 1550
The Metropolitan Museum of Art
Nude Male Figure with Upraised Right Arm
Girolamo Romanino
Brush and brown wash, over slight traces of black chalk · 1550
The Metropolitan Museum of Art
Armor of the Dukes of Alba
Lucio Piccinino
Steel, gold, silver · 1550
The Metropolitan Museum of Art
Annunciation
Joos van Cleve
Oil on wood · 1550
The Metropolitan Museum of Art
The Siege of Fiesole by the Goths
Friedrich Sustris
Black chalk, pen and brown ink, brush and brown wash; squared in black chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Tiger Hill
Lu Zhi
Handscroll; ink and color on paper · 1550
The Metropolitan Museum of Art
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art
Gaspard de Coligny, Admiral of France
Jost Amman
Etching · 1550
The Metropolitan Museum of Art
The Wayfarer Crowned by Happiness from The Table of Cebes
David Kandel
Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
Wolf hunt
Etienne Delaune, French
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art
Dagger with Scabbard
Wolf Paller
Steel, silver, ray skin, leather, wood · 1550
The Metropolitan Museum of Art
The Holy Family with the Infant Baptist, Saint Elizabeth, and an Attendant Angel
Aurelio Luini
Pen and brown ink, brush and pale brown wash, on beige paper · 1550
The Metropolitan Museum of Art
The Drunkenness of Noah
Friedrich Sustris
Pen and brown ink and brown wash · 1550
The Metropolitan Museum of Art
Landscape
Gillis van Coninxloo
Pen and brown ink, with green and blue watercolor, heightened with bodycolor · 1550
The Metropolitan Museum of Art
Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer
Pen and black ink, brush and gray and rose wash. · 1550
The Metropolitan Museum of Art
Mucius Scaevola
Antonio Campi
Woodcut · 1550
The Metropolitan Museum of Art
Double Virginal
Hans Rucker
Pine, beech, poplar, mahogany, paint, gesso, metal, parchment, brass · 1550
The Metropolitan Museum of Art
Antique Naval Battle (recto); A Battle Scene (verso)
Lattanzio Gambara
Pen and brown ink, brush and brown wash (recto); black chalk (verso); squared in black chalk · 1550
The Metropolitan Museum of Art
Georg Thenn
Jost Amman
Etching; second state of two · 1550
The Metropolitan Museum of Art