Database / Artworks
Artworks
View of Heidelberg
Jan Brueghel the Elder
Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink · 1583
The Metropolitan Museum of Art
Saint Matthew and the Angel
Luca Cambiaso
Pen and brown ink, brown wash over traces of brown chalk (?); squared in red chalk · 1583
The Metropolitan Museum of Art
Elements from a Garniture Made for Christian I of Saxony (1560–1591)
Anton Peffenhauser
Steel, gold, leather, brass · 1582
The Metropolitan Museum of Art
The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art
The Lamentation
Ludovico Carracci
oil paint · 1582
The Metropolitan Museum of Art
Mystic Marriage of St. Catherine
Vespasiano Strada, Italian
Etching · 1582
The Metropolitan Museum of Art
Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art
Plate 4: equestrian statue of Caligula, seen three-quarters to the left, wearing a winged helmet and holding double-headed arrows, a military scene in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert
Engraving, squared in graphite · 1582
The Metropolitan Museum of Art
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)
Abraham Bloemaert
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art
Sanitas, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
Gratia Dei, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
Foedus, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
A Reclining Peasant (recto); Study of a Young Man (verso)
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art
Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)
Abraham Bloemaert, Dutch
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert, Dutch
Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk · 1580
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert, Dutch
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Adoration of the Magi
Andrea Andreani
Chiaroscuro woodcut from three blocks in pale brown · 1580
The Metropolitan Museum of Art
Putto Holding a Cloud and Horn
Passe, Crispijn de, the elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
The Marriage of the Virgin (Lunette)
Giorgio Picchi
Pen and brown ink, brush and brown wash over black chalk on light brown paper · 1580
The Metropolitan Museum of Art