Database / Artworks
Artworks
Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric)
Guido Reni
Cotton, plain weave; copperplate printed · 1785
Art Institute of Chicago
Portret van Beatrice Cenci
Guido Reni
etching on paper · 1778
Rijksmuseum
Putto Holding Staff
Guido Reni
Black chalk with pen and brown ink on cream laid paper · 1648
Art Institute of Chicago
Salome with the Head of Saint John the Baptist
Guido Reni
Oil on canvas · 1634
Art Institute of Chicago
Head of Saint Francis
Guido Reni
black, red and white chalk on blue laid paper · 1632
National Gallery of Art
Saint Jerome
Guido Reni
Etching and engraving in black on ivory laid paper · 1630
Art Institute of Chicago
Science or The Love of Study
Guido Reni
Etching on ivory laid paper · 1630
Art Institute of Chicago
The Immaculate Conception
Guido Reni
Oil on canvas · 1627
The Metropolitan Museum of Art
Abduction of Helen
Guido Reni
Pen and brown ink, with brush and brown and gray wash, heightened with lead white (partially oxidized), on cream laid paper prepared with brown wash, laid down on cream laid paper · 1627
Art Institute of Chicago
Charity
Guido Reni
Oil on canvas · 1625
The Metropolitan Museum of Art
The Head of Christ
Guido Reni
black, red, and white chalks on gray-green laid paper · 1623
National Gallery of Art
Study for King David, with Harp and Psalm Book
Guido Reni
Red chalk, with stumping, on cream laid paper · 1621
Art Institute of Chicago
Vision of Saint Philip Neri
Guido Reni
Red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper · 1617
Art Institute of Chicago
Saint Francis of Assisi, with two Monks of his Order
Guido Reni
Pen and brown ink, with brush and gray and brown wash and traces of graphite, on cream laid paper, laid down on tan laid paper · 1611
Art Institute of Chicago
Two Putti with Potted Plant
Guido Reni
Red chalk on ivory laid paper, laid down on ivory card · 1611
Art Institute of Chicago
Head of Putto
Guido Reni
Red chalk on cream laid paper, laid down on cream card · 1611
Art Institute of Chicago
Studies van voeten, hoofd en schouders van een op de rug geziene man
Guido Reni
paper, chalk · 1608
Rijksmuseum
Studies voor lichaamsdelen van de heilige Floriaan
Guido Reni
paper, chalk · 1608
Rijksmuseum
Descent of the Holy Spirit
Guido Reni
Pen and brown ink, with brush and brown wash, heightened with gold paint, over black chalk, on brown laid paper, squared in black chalk, laid down on board · 1607
Art Institute of Chicago
David with the Head of Goliath
Guido Reni
Pen and brown ink and brush and brown wash on cream laid paper, laid down on tan wove card · 1605
Art Institute of Chicago
Musician Angels in Clouds (recto); Seated Cleric (verso)
Guido Reni
Black chalk, heightened with traces of white chalk (recto and verso), on blue laid paper · 1600
Art Institute of Chicago
Study for Saint Benedict Receiving Gifts from the Peasants
Guido Reni
Black chalk, heightened with traces of white chalk, on tan laid paper with blue fibers, laid down on ivory laid paper · 1599
Art Institute of Chicago
The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni
Etching · 1598
The Metropolitan Museum of Art
Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni
Etching · 1598
The Metropolitan Museum of Art