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Artworks

98,525 records by Everlyn Nicodemus · Art Institute Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Soyer
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Woman Crowned with Laurel
Woman Crowned with Laurel
Raphael
Red chalk and stumping, with traces of red chalk wash, on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael-Schwartz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Inner Portico with Statues
Inner Portico with Statues
James Thornhill
Graphite and brush and gray wash on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Two Figures Resting on Hillside near Two Trees
Two Figures Resting on Hillside near Two Trees
Wolfgang Franz von Kobell
Pen and brown ink, on ivory wove paper, tipped onto tan wove paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Adjetey Adjei Mayne
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Imitator of Titian
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
Female Caryatid
Female Caryatid
Perino del Vaga
Red chalk on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Roussel
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Portrait of a Man
Portrait of a Man
Charles Claude Dubut
Wax on slate · 1700
Art Institute of Chicago
Seated Male Near Female
Seated Male Near Female
Johann Zoffany
Black chalk on ivory laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Adjetey Adjei Mayne
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Vision of a Pope
Vision of a Pope
Francesco Campora
Pen and red brown ink with brush and brown wash and gouache, heightened with lead white (partly discolored), over black chalk, squared in black chalk, on ivory laid paper, partially laid down · 1700
Art Institute of Chicago
Male Nude and Other Figures
Male Nude and Other Figures
John Hamilton Mortimer
Pen and brown ink, with brush and brown wash, over graphite, on ivory wove paper · 1700
Art Institute of Chicago
Sketches of Four Draped Female Figures (for Pendentives)
Sketches of Four Draped Female Figures (for Pendentives)
Pierre Subleyras
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Seated Allegorical Female Figure
Seated Allegorical Female Figure
Francesco Solimena
Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper · 1700
Art Institute of Chicago
Fragment
Fragment
Manchu
Silk brocade · 1700
Art Institute of Chicago
Sketch of Actor Standing
Sketch of Actor Standing
John Sell Cotman
Graphite on tan wove paper · 1700
Art Institute of Chicago
Vase Depicting a Phoenixlike Bird
Vase Depicting a Phoenixlike Bird
Talavera Poblana
Tin-glazed earthenware · 1700
Art Institute of Chicago
Stable Interior: Herder Resting with Sheep, Cow, Goats and Dog
Stable Interior: Herder Resting with Sheep, Cow, Goats and Dog
Andrea di Lione
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Titian Ramsay Peale
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
Allegory of Sea Trade
Allegory of Sea Trade
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Landscape with Ruined Tower
Landscape with Ruined Tower
Pierre Alexandre Wille
Red chalk, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago
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