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Artworks

12,379 records by George A. Tice · Met Museum
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
The Holy Women at the Sepulchre
The Holy Women at the Sepulchre
Sisto Badalocchio
Pen and brown ink, brush and brown wash, highlighted with white · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Orpheus and Eurydice
Agostino Carracci, Italian
Engraving, second state · 1585
The Metropolitan Museum of Art
Ewer
Ewer
Estève
Faience (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
Allegory of Asia, from "The Four Continents"
Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
Guido Reni
Etching · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci, Italian
Engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Allegory of Europe, from "The Four Continents"
Allegory of Europe, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Knife (one of a set)
Knife (one of a set)
Antonio Gentili da Faenza
Silver, gold · 1585
The Metropolitan Museum of Art
Walls, Towers, and Gates of Amsterdam
Walls, Towers, and Gates of Amsterdam
Jacob Savery
Pen and brown ink · 1585
The Metropolitan Museum of Art
Basin
Basin
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Flaying of Marsyas
Guglielmo della Porta
Bronze · 1585
The Metropolitan Museum of Art
Globular jar
Globular jar
Domenico Veneziano
Maiolica (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci
Engraving · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Saint Jerome
Saint Jerome
Pieter de Jode I
Engraving · 1585
The Metropolitan Museum of Art
Rape of a Sabine Woman
Rape of a Sabine Woman
Andrea Andreani
Chiaroscuro woodcut from three blocks in gray-brown · 1584
The Metropolitan Museum of Art
Boat Moored on a Beach by a Wooden Palisade (recto); Study of Trees (verso)
Boat Moored on a Beach by a Wooden Palisade (recto); Study of Trees (verso)
Jan Porcellis
Black chalk and black wash (recto); pen and brown ink (verso) · 1584
The Metropolitan Museum of Art
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