Database / Artworks
Artworks
Conversion of Saint Paul
Raphael Shammaa
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
The Nativity
Bartolomeo Biscaino
oil paint · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Navot
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Macek
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Medal
European School
Silver · 1700
Art Institute of Chicago
Portrait of a Gentleman
Christian Friedrich Zincke
porcelain · 1700
Art Institute of Chicago
Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Leonce Raphael Agbodjelou
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Lion and Fly
Jean Baptiste Joseph Peter
Bronze · 1700
Art Institute of Chicago
Mater Dolorosa
Pierre Hubert Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Education of Marie de Medicis
Nicolas Pierre Loir
Pen and brown ink, over traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Benedetto Luti
Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Winter, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago
Autumn, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Louis Charles Diligent
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Flower Vase (one of a pair)
Grieksche A Factory
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Sitbon
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Robert Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Architect Submitting Designs to Patron
Francesco Fontebasso
Pen and black ink, and brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago