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Artworks

Two Groups of Figures in a Landscape
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, tipped onto ivory laid paper · 1775
Art Institute of Chicago

Madonna Mourning: Studies for the Entombment of Christ
Giovanni Francesco Barbieri (called Guercino), Italian
Red chalk on ivory laid paper · 1651
Art Institute of Chicago

Study for "The Martyrdom of Saint Bartholomew"
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper · 1635
Art Institute of Chicago

Study of Four Figures, for the Burial of St. Petronilla Altarpiece at St. Peter's
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink, brush and brown wash on off-white laidpaper, laid down · 1623
Cooper Hewitt, Smithsonian Design Museum

The Triumphant Hercules with the Vanquished Hydra
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink and brush and brown wash on buff laid paper, ruled in pen and brown ink, laid down on paperboard · 1618
Art Institute of Chicago

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago

Sacrifice of Isaac (recto); Jacob's Dream (verso)
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink on ivory laid paper · 1613
Art Institute of Chicago

Saint Roch
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown iron gall ink with brush and brown wash on cream laid paper, tipped to brown wove paper · 1611
Art Institute of Chicago