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Artworks

12,379 records by Philippe Auguste Hennequin · Met Museum
Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration
Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration
Baldi
Brush and brown wash, highlighted with white, over black chalk, on brown-washed paper. Lined · 1622
The Metropolitan Museum of Art
The Sacrifice of Noah
The Sacrifice of Noah
Baldi
Pen and black ink, brush and gray wash; squared in red chalk · 1622
The Metropolitan Museum of Art
The Supper at Emmaus
The Supper at Emmaus
DIEGO
Oil on canvas · 1622
The Metropolitan Museum of Art
Lozenge-shaped Pendant and Two Trapezoid Motifs
Lozenge-shaped Pendant and Two Trapezoid Motifs
Costantini
Blackwork and Engraving · 1622
The Metropolitan Museum of Art
Lozenge-shaped Pendant and Two Triangular Motifs in a Riverscape
Lozenge-shaped Pendant and Two Triangular Motifs in a Riverscape
Costantini
Blackwork and Engraving · 1622
The Metropolitan Museum of Art
Cross-shaped Pendant and Four Other Motifs
Cross-shaped Pendant and Four Other Motifs
Costantini
Blackwork and engraving · 1622
The Metropolitan Museum of Art
Octagonal Case and Two Other Motifs Held by Ignudi
Octagonal Case and Two Other Motifs Held by Ignudi
Costantini
Blackwork and Engraving · 1622
The Metropolitan Museum of Art
Oval Pendant or Case and Two Bezel Designs
Oval Pendant or Case and Two Bezel Designs
Costantini
Blackwork and Engraving · 1622
The Metropolitan Museum of Art
The Supper at Emmaus
The Supper at Emmaus
Rodríguez Silva
Oil on canvas · 1622
The Metropolitan Museum of Art
A Cardinal's Procession
A Cardinal's Procession
Ottavio Leoni
copper · 1621
The Metropolitan Museum of Art
View of Caprarola, from "Fifteen Views of Italy and France"
View of Caprarola, from "Fifteen Views of Italy and France"
Israel Silvestre
Etching · 1621
The Metropolitan Museum of Art
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Ottavio Leoni
Etching and engraving · 1621
The Metropolitan Museum of Art
A Cardinal's Procession
A Cardinal's Procession
Ottavio Leoni
Oil on copper · 1621
The Metropolitan Museum of Art
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Ottavio Leoni
Etching and engraving · 1621
The Metropolitan Museum of Art
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair
Flaminio Torre
Red chalk on brownish paper · 1621
The Metropolitan Museum of Art
Lucas van Uffel (died 1637)
Lucas van Uffel (died 1637)
Anthony van Dyck
Oil on canvas · 1621
The Metropolitan Museum of Art
Allegorical Portrait of a Commander and His Wife
Allegorical Portrait of a Commander and His Wife
Pieter Jansz Saenredam
Pen and brown ink, brush and gray wash · 1620
The Metropolitan Museum of Art
The Holy Family with Saint Anne and the Young Baptist and His Parents
The Holy Family with Saint Anne and the Young Baptist and His Parents
Jacob Jordaens
Oil on wood · 1620
The Metropolitan Museum of Art
Two Angels, Study for the Val de Grâce
Two Angels, Study for the Val de Grâce
Pierre Mignard I
Black chalk, heightened with white chalk on light brown antique laid paper, squared in red chalk · 1620
The Metropolitan Museum of Art
Study for a Pietà
Study for a Pietà
Fabrizio Boschi
Red chalk, traces of black chalk · 1620
The Metropolitan Museum of Art
The Wagonner
The Wagonner
Lodewijk de Vadder
Watercolor, graphite and black ink · 1620
The Metropolitan Museum of Art
Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist
Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist
Bonacina
Engraving · 1620
The Metropolitan Museum of Art
Lamentation over the Dead Christ at the Foot of the Cross (recto); Studies for the Burial of Christ (verso)
Lamentation over the Dead Christ at the Foot of the Cross (recto); Studies for the Burial of Christ (verso)
Ferraù Fenzoni
Pen and brown ink, on blue paper · 1620
The Metropolitan Museum of Art
Two Angels, Study for the Val de Grâce
Two Angels, Study for the Val de Grâce
Mignard, Pierre, I
Black chalk, heightened with white chalk on light brown antique laid paper, squared in red chalk · 1620
The Metropolitan Museum of Art
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