Database / Artworks
Artworks
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field
Robert Peake
oil paint · 1603
The Metropolitan Museum of Art
The Lamentation
Domenichino
copper · 1603
The Metropolitan Museum of Art
Vanitas Still Life
Jacques de Gheyn, II
Oil on wood · 1603
The Metropolitan Museum of Art
Landscape with Travelers on a Woodland Path
Jan Brueghel the Elder
Oil on copper · 1602
The Metropolitan Museum of Art
Landscape with Travelers on a Woodland Path
Brueghel, Jan, the elder
Oil on copper · 1602
The Metropolitan Museum of Art
Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci
Francesco Brizio
Etching · 1602
The Metropolitan Museum of Art
Saint Roch with a donor and a dog at left
Francesco Brizio
Engraving · 1602
The Metropolitan Museum of Art
Le Pan de Muraille
Henri Mauperché
Etching · 1602
The Metropolitan Museum of Art
Angels Ministering to St. Sebastian
Alonso Cano
Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink · 1601
The Metropolitan Museum of Art
Jacob Wrestling with the Angel
Giulio Benso
Pen and brown ink, brush and brown wash over traces of black chalk · 1601
The Metropolitan Museum of Art
Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>) · 1601
The Metropolitan Museum of Art
Engraving of Firearms Ornament from the Pattern Book <i>Plusieurs pieces de l'arquebuzerie / recueillies et inventeés par Francois Marcou</i>
C. Jacquinet
Ink, paper · 1601
The Metropolitan Museum of Art
Allegory of the Death of a Religious Man
Francken, Frans, II
Pen and brown ink, brush and brown and blue ink · 1601
The Metropolitan Museum of Art
Barberini Cabinet
Florence
Oak and poplar veneered with various exotic hardwoods, with ebony moldings and plaques of marble, slate (paragon); pietre dure work consisting of colored marbles, rock crystal, and various hardstones · 1601
The Metropolitan Museum of Art
Three Putti Holding Cross Before Two Male Saints
Alonso Cano
Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom · 1601
The Metropolitan Museum of Art
Allegory of the Death of a Religious Man
Frans Francken III
Pen and brown ink, brush and brown and blue ink · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 96 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 58 (verso)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 108 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 91 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 46 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 25 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Virgin Interceding for Those in Purgatory
Alonso Cano
Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper · 1601
The Metropolitan Museum of Art