Database / Artworks
Artworks

Stone Rubbing (Surfer), plate 75 from 101 Prints
Norman Roland Eppink
Stone rubbing in black on ivory wove paper · 1967
Art Institute of Chicago

Monotype, Metal Base (Black Abstraction), plate 78 from 101 Prints
Norman Roland Eppink
Monotype in black on ivory wove paper · 1967
Art Institute of Chicago

Color Monotype, Glass Base (Red, Black, and Gray), plate 77 from 101 Prints
Norman Roland Eppink
Color monotype on ivory wove paper · 1967
Art Institute of Chicago

Bas-relief Print (Variety in Unity), plate 73 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Color Photograph (Lichen), plate 74 from 101 Prints
Norman Roland Eppink
Dye destruction print (Cibachrome) on white wove paper · 1967
Art Institute of Chicago

Photomontage, Type 1 (Green Bay), plate 70 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Photograph Used for Solarization (Barbed Wire), plate 72a from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Solarized Print (Barbed Wire), plate 72 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Photograph (Rocks), plate 69 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Photo-monotype (Decayed Wood), plate 68 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Photomontage, Type 2 (What’s Your Number?), plate 71 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Photogram (Taken From an Onion), plate 67 from 101 Prints
Norman Roland Eppink
Gelatin silver print on white wove paper · 1967
Art Institute of Chicago

Lumiprint (Graffito), plate 65 from 101 Prints
Norman Roland Eppink
Lumiprint in black on ivory wove paper · 1967
Art Institute of Chicago

Serigraph, Resist Method (View from Above), plate 61 from 101 Prints
Norman Roland Eppink
Color screenprint on ivory wove paper · 1967
Art Institute of Chicago

Cliché-verre, Type 1 (Erratic Wasp), plate 63 from 101 Prints
Norman Roland Eppink
Cliché-verre in black on ivory wove paper · 1967
Art Institute of Chicago

Cliché-verre, Color Method (Figurative), plate 66 from 101 Prints
Norman Roland Eppink
Cliché-verre in black and green on ivory wove paper · 1967
Art Institute of Chicago

Serigraph, Film, and Photographic Stencil (Carnival), plate 62 from 101 Prints
Norman Roland Eppink
Color screenprint on ivory wove paper · 1967
Art Institute of Chicago

Cliché-verre, Type 2 (Convention), plate 64 from 101 Prints
Norman Roland Eppink
Cliché-verre in black on ivory wove paper · 1967
Art Institute of Chicago

Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints
Norman Roland Eppink
Color pochoir (stencil) on ivory wove paper · 1967
Art Institute of Chicago

Stencil, Water Color (Opposition), plate 58 from 101 Prints
Norman Roland Eppink
Color pochoir (stencil) with watercolor on ivory wove paper · 1967
Art Institute of Chicago

Lithographic Engraving (Weeds), plate 57 from 101 Prints
Norman Roland Eppink
Lithographic engraving in black on ivory wove paper · 1967
Art Institute of Chicago

Serigraph, Block-Out Method (Patches), plate 60 from 101 Prints
Norman Roland Eppink
Color screenprint on ivory wove paper · 1967
Art Institute of Chicago

Transfer Lithograph (Miscellany), plate 56 from 101 Prints
Norman Roland Eppink
Transfer lithograph in black on ivory wove paper · 1967
Art Institute of Chicago

Eleven-color Lithograph (Puppet Cupboard), plate 52 from 101 Prints
Norman Roland Eppink
Color lithograph on ivory wove paper · 1967
Art Institute of Chicago