Database / Artworks
Artworks

Plate 4: equestrian statue of Caligula, seen three-quarters to the left, wearing a winged helmet and holding double-headed arrows, a military scene in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert
Engraving, squared in graphite · 1582
The Metropolitan Museum of Art

The Lamentation
Ludovico Carracci
oil paint · 1582
The Metropolitan Museum of Art

Mystic Marriage of St. Catherine
Vespasiano Strada, Italian
Etching · 1582
The Metropolitan Museum of Art

The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art

Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art

Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art

Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art

Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art

Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art

The Three Graces (recto); Four putti engaging in various activities (verso)
Christoph Murer
Pen and black ink, brush and gray wash, heightened with white gouache, on paper prepared with semi-opaque gray wash · 1580
The Metropolitan Museum of Art

Study after the Belvedere Torso
Giuseppe Cesari, called Cavaliere d'Arpino
Red chalk · 1580
The Metropolitan Museum of Art

Veritas, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art

Mercury
Giambologna
bronze · 1580
The Metropolitan Museum of Art

Germanicus Habitus, from Fashions of Different Nations
Pieter de Jode I
Engraving; first state of two · 1580
The Metropolitan Museum of Art

Putto Holding a Cloud and Horn
Crispijn de Passe the Elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art

The Martyrdom of Saint Lawrence
Aurelio Luini
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on light tan paper; squared in red chalk · 1580
The Metropolitan Museum of Art

Paris in a Decorative Frame with Grotesques
Adriaen Collaert
engraving · 1580
The Metropolitan Museum of Art

Putto Holding a Cloud and Horn
Crispijn van de Passe the Elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art

Study of a Tree
Jacques de Gheyn, II
Pen and brown ink over black chalk · 1580
The Metropolitan Museum of Art

December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire
Passe, Crispijn de, the elder
Pen and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art

December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire
Crispijn van de Passe the Elder
Pen and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art

A Reclining Peasant (recto); Study of a Young Man (verso)
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art