Database / Artworks
Artworks
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
Recluse playing the zither in a pine grove
Wen Zhengming
Hanging scroll; ink on paper · 1530
The Metropolitan Museum of Art
Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art
Elements of an Armor Garniture
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Scenes from the Life of Joseph
Pierre Reymond
Painted enamel on copper, partly gilt; gilded metal finial of later date · 1530
The Metropolitan Museum of Art
Portrait of an unidentified gentleman
Léonard Limosin
Painted enamel on copper · 1530
The Metropolitan Museum of Art
Falling Buffe for a Helmet
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art
Plan of Ancient Rome, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
Right Shoulder and Arm Defense
Wolfgang Grosschedel
Steel, leather, copper alloy · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Agnolo Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Venus and Cupid
Lucas Cranach the Elder
lime panel · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
The Sibyl Aprippa
Léonard Limosin
Painted enamel on copper, partly gilt · 1530
The Metropolitan Museum of Art
Spring
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Winter
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Halberdier walking left and carrying a halberd over his left shoulder, two tents beyond, from "Twelve soldiers of different ranks"
Virgil Solis
Engraving · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Mars, Venus, and Cupid
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art
Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel
Adriaan de Weerdt
Pen and brown ink, brush and gray wash; framing lines in pen and brown ink, by the artist · 1530
The Metropolitan Museum of Art