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Artworks

12,374 records by Eldzier Cortor · Met Museum
Costume Plate: Woman with Hooded Garment
Costume Plate: Woman with Hooded Garment
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Galla Serva
Costume Plate: Galla Serva
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Bearded Man from Spain
Costume Plate: Bearded Man from Spain
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, right plate
View of Nuremberg, to the east, right plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Costume Plate: Hispania Rustica mul. (with label on ground)
Costume Plate: Hispania Rustica mul. (with label on ground)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Tantalus
Tantalus
Giulio Sanuto
Engraving; second state of two · 1552
The Metropolitan Museum of Art
Victory Surrounded by Prisoners and Trophies
Victory Surrounded by Prisoners and Trophies
Frans Floris, I
Etching · 1552
The Metropolitan Museum of Art
Close Helmet for the Tourney
Close Helmet for the Tourney
Daniel Hopfer, I
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Allegory of the Battle at Selimbar (October 28, 1599)
Allegory of the Battle at Selimbar (October 28, 1599)
Hans von Aachen
Pen and brown ink, brown and and red wash, over a sketch in red chalk · 1552
The Metropolitan Museum of Art
Bacchanal
Bacchanal
Giulio Sanuto
Engraving · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, center plate
View of Nuremberg, to the east, center plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Medal:  Ippolita Gonzaga
Medal: Ippolita Gonzaga
Leone Leoni
Bronze (Copper alloy with worn, dark brown patina) · 1551
The Metropolitan Museum of Art
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching and engraving · 1551
The Metropolitan Museum of Art
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Jacopo da Empoli
Pen and dark brown ink, over black chalk; squared in red chalk · 1551
The Metropolitan Museum of Art
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Leone Leoni
Bronze, cast · 1551
The Metropolitan Museum of Art
Ornamental Design with a Bat in the Center
Ornamental Design with a Bat in the Center
Heinrich Aldegrever
Engraving · 1550
The Metropolitan Museum of Art
Portrait of a Man
Portrait of a Man
Tintoretto
Oil on canvas · 1550
The Metropolitan Museum of Art
Saint Jerome Praying in a Landscape
Saint Jerome Praying in a Landscape
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache · 1550
The Metropolitan Museum of Art
Frieze with Nine Birds Perched on a Vine
Frieze with Nine Birds Perched on a Vine
Franz Brun
Engraving · 1550
The Metropolitan Museum of Art
Studies for a Crucifixion
Studies for a Crucifixion
Alessandro Casolani
Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Wolf hunt
Wolf hunt
Etienne Delaune, French
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art
Judith, from "Famous Women from the Old Testament"
Judith, from "Famous Women from the Old Testament"
Philip Galle
Engraving · 1550
The Metropolitan Museum of Art
Design for a Coat of Arms with Putti holding Garlands
Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer
Pen and black ink, brush and gray and rose wash. · 1550
The Metropolitan Museum of Art
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