Database / Artworks
Artworks
Reclining Female Nude
Tintoretto
Black and white chalk on blue paper · 1600
The Metropolitan Museum of Art
Fan leaf with acanthus scrolls and dolphins
Nicolas Pierre Loir
Etching · 1600
The Metropolitan Museum of Art
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli
Pen and brown ink, brush and brown wash, over black chalk (incised for transfer) · 1600
The Metropolitan Museum of Art
Allegory in Honor of Louis XIV
Claude Mellan
Engraving; second state of three (BN) · 1600
The Metropolitan Museum of Art
Christ with the Cross
Joachim Antonisz. Wtewael
Pen and brown ink, brush and brown wash · 1600
The Metropolitan Museum of Art
Landscape
Wang Hui 王翚
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Architect in His Study Holding a Compass and Conversing with Three Men
Agostino Tassi
Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper; framing line along right edge in brown ink · 1600
The Metropolitan Museum of Art
The Captured Turk
Pietro Tacca
Pearwood · 1600
The Metropolitan Museum of Art
Dish
Bernard Palissy
Lead-glazed earthenware · 1600
The Metropolitan Museum of Art
Bacchanal
Pierre Brebiette
Etching · 1600
The Metropolitan Museum of Art
Henry IV, King of France (b. 1553, r. 1589–1610)
Guillaume
Steel, inlaid gold, gilt · 1600
The Metropolitan Museum of Art
Woodcutters and Fishermen
Goshun
Pair of six-panel folding screens; ink and color on paper · 1600
The Metropolitan Museum of Art
Landscape with view of a town (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art
Virgin and Child
Gerard Valck
Engraving (reverse copy) · 1600
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art